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409 articles found. Page 20 of 21.
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Prince: Lovesexy (Paisley Park)
Review by Paul Mathur, Melody Maker, 14 May 1988
LEXICON OF LOVE ...
Pink Floyd: Their Mortal Remains: Pink Floyd at the Victoria & Albert Museum
Review by Chris Charlesworth, Just Backdated, July 2017
AT THE START of the V&A's Pink Floyd exhibition there is a photograph of the first ever van that transported the four-man group and their ...
Primal Scream: SCREAMADULLICA – Primal Scream: Give Out But Don't Give Up (Creation)
Review by Paul Lester, Melody Maker, 26 March 1994
Pre-modernism! Culture pundits reckon art, architecture and literature are all trying to return to classical values. Why should rock be left out? Primal Scream wanna ...
Review by Charles Shaar Murray, NME, 31 August 1974
Rock verite — the Beatrix Potter way ...
Goldie: Saturnz Return (London/All formats)
Review by Stephen Dalton, New Musical Express, 24 January 1996
RiNGS LEADER ...
Review by David Quantick, The Word, March 2008
There's a lot of Morrissey's newer, louder, less subtle music on his latest greatest hits. David Quantick finds his patience is at an end. ...
Review by James Hunter, New York Observer, 24 May 1999
Backstreet Boys Play Coy, Robbie Williams Is a Joy ...
Iggy Pop & James Williamson: Kill City
Review by David Cavanagh, Uncut, January 2011
The odd-one-out in the Stooges catalogue, with the duo at their lowest ebb. Remixed, it's a vital, powerful, hard-rocking listen, says David Cavanagh ...
Review by Charles Shaar Murray, NME, 24 January 1976
ARGUABLY, THERE IS no more exciting rock artist to listen to than one whose time has come; one whose art (not to mention attitude, appearance, ...
Review by Ian MacDonald, NME, 3 August 1974
THE MAIN OBSTACLE between a rock song-writer and Major Form (as ye olde musickologists have it) is Objectivity. ...
Elvis Costello & The Attractions: Get Happy!! (F-Beat)
Review by Paul Rambali, NME, 16 February 1980
ON AN otherwise typical day late last October, Elvis Costello strolled through the door of London’s Rock On record shop in Camden Town, the oldies ...
Review by Charles Shaar Murray, MOJO, September 1997
WHAT ARE Oasis for? They were Built To Be Big. Their Long-Awaited-All-Important-Third-Album, Be Here Now, is about as big as a rock record can get. ...
Review by Gary Sperrazza!, Shakin' Street Gazette, May 1974
No, Mott hasn't changed and yes, Ariel doesn't fit in ...
Elton John: Captain Fantastic And The Brown Dirt Cowboy
Review by Greg Shaw, Phonograph Record, June 1975
THE TIME HAS come to acknowledge just how big Elton John has become. His preeminence has come to pass so gradually that the present magnitude ...
Review by Stuart Maconie, Q, June 1994
TO USE the vernacular of our friends in the American therapy industry, today's music business is not "a nurturing environment". One might use the expression ...
James Chance, Mars, D.N.A., Teenage Jesus & the Jerks: Various Artists: No New York (Antilles)
Review by Roy Trakin, New York Rocker, January 1979
GETTING TO NO YOU: NO NEW YORK ON RECORD ...
Velvet Underground: The Velvet Underground: VU (Verve/Polygram)
Review by Mick Farren, Spin, May 1985
ONE OF THE great strengths and also the fatal weakness of the Velvet Underground was that they made their greatest statements as a band at ...
Review by Rob Steen, Rock's Backpages, 28 September 2013
THE ARTIST Originally Known As Gordon Sumner is just about the only musician bar Justin Bieber who can be guaranteed bad notices for breathing. This, ...
John Foxx and the Maths: Interplay
Review by John Calvert, The Quietus, 4 April 2011
AFTER A RUN of relatively oblique collaborations, Interplay sees John Foxx's return to the role of pop architect, ably assisted by The Maths (aka Ben ...
Prince: Come (Warner Bros.)/1-800-New-Funk (NPG/Bellmark)
Review by Carol Cooper, The Village Voice, 30 August 1994
IF YOU HEAR the sound of a gauntlet slapping the floor, it’s only the echo of Come (Warner Bros.) and 1-800-New-Funk (NPG/Bellmark) hitting the racks ...
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