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Review by Charles Shaar Murray, NME, 10 January 1976

"A sixty thousand word novel is one image corrected fifty-nine thousand, nine hundred and ninety-nine times"– Samuel R. Delaney ...

Lou Reed: Coney Island Baby

Review by Charles Shaar Murray, NME, 24 January 1976

ARGUABLY, THERE IS no more exciting rock artist to listen to than one whose time has come; one whose art (not to mention attitude, appearance, ...

Ian Hunter: An American Alien Boy

Review by Charles Shaar Murray, NME, 15 May 1976

THERE EXISTS A subtle difference between a tax exile and an expatriate. ...

David Bowie: Changesonebowie

Review by Mick Farren, NME, 5 June 1976

I GUESS that one of the main functions of any greatest hits album is to explain to anyone who isn't a hard core fan exactly ...

Average White Band: The Average White Band: Person To Person

Review by Tony Stewart, NME, 8 January 1977

WELCOME BACK the musically credible and eminently excellent Average White Band with this defiant poke in the ear for all those people who seven months ...

David Bowie: Low

Review by Ian MacDonald, NME, 22 January 1977

YOU'RE JUST a little girl with grey eyes and you never leave your room. ...

David Bowie: Low

Review by Charles Shaar Murray, NME, 22 January 1977

AND YOU'RE profile to profile with The Man Who Fell To Bits. Against an incandescent orange background, the cover of David Bowie's new album reprises ...

The Runaways: Queens Of Noise

Review by Mick Farren, NME, 29 January 1977

THE MAIN thing that's wrong with this album can be summed up in two words. They are Kim Fowley. Yes that's right. Fowley appears to ...

Iggy Pop: Lust For Life (RCA)

Review by Max Bell, NME, 27 August 1977

GOG AND MAGOG?! No, Dog And Maindog. A Pure Pop Person Pleads Sanity. MAX BELL Was At The Hearings. ...

Willie Alexander and the Boom Boom Band: Willie Alexander and the Boom Boom Band

Review by Charles Shaar Murray, NME, 21 January 1978

AND WELCOME back the Bosstown Sound! That's Boston USA, spelled B-O-S-S-T-O-W-N, home of the J. Geils Band, Aerosmith, The Modern Lovers (sort of) and now…Willie ...

Iggy Pop and James Williamson: Kill City (Radar Records)

Review by Nick Kent, NME, 28 January 1978

WELL, IT'S finally out and yup, disregarding the shoddy cover, it's a great album. ...

Nick Lowe: Jesus Of Cool

Review by Nick Kent, NME, 25 February 1978

THERE'S NO-ONE lower than Nick, it's been said, and here's the booty to bear that out. ...

Bruce Springsteen: Darkness On The Edge Of Town

Review by Paul Rambali, NME, 10 June 1978

So where you been, Bruce? ...

Ultravox: Systems Of Romance

Review by Ian Penman, NME, 9 September 1978

The Further Decline And Fall Of The Western World ...

Roxy Music: Manifesto (Polydor)

Review by Max Bell, NME, 10 March 1979

EXACTLY SEVEN years ago — March 1972 — something stirred in the basement at Command Studios. ...

Lou Reed: The Bells (Arista)

Review by Charles Shaar Murray, NME, 28 April 1979

AH, THE BELLS, the bells…somehow I don't think this is what Victor Hugo had in mind all those years ago. However, what Slick Vic had ...

Joy Division: Unknown Pleasures (Factory)

Review by Max Bell, NME, 14 July 1979

JUST WHEN the year's vitality was threatening to be expunged by a non-stop parade of rehashed fashions, 'ordinary geezers' with French Riviera yachts and the ...

Neu!: Neu: Neu '75

Review by Andy Gill, NME, 21 July 1979

IF I WERE to tell you that a record you've probably never heard of was the album that David Bowie's been trying to make these ...

Talking Heads: Taking Heads: Fear Of Music (Sire)

Review by Paul Rambali, NME, 18 August 1979

TOM WOLFE ONCE wrote a book called The Painted Word, a thin volume of accomplished iconoclasm. In it he traces the rise and rise of ...

Gary Numan: The Pleasure Principle

Review by Danny Baker, NME, 8 September 1979

AND PEOPLE seethe at the Golden Boy. Let's forget the threadbare rock'n'roll bitch that it's all been done before by 'proper' artists — Bowie this, ...