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Suede, T. Rex: Tape Heads: Ed Buller meets Tony Visconti
Interview by Tom Doyle, Melody Maker, 12 March 1994
While even the most basic recordings get increasingly hi-tech, many modern producers are still searching for the vibey sounds of yesteryear. In the first of ...
Retrospective and Interview by Martin Aston, MOJO, June 2011
Four pale, skinny suburban fops, inspired by Bowie and The Smiths, at the start of 1994 SUEDE were British pop saviours, poised for greatness. But ...
Oasis: Feeling Supersonic, Going Stratospheric
Report by Lisa Verrico, The Observer, 14 January 1996
TO SIGNAL The White Room's return for a new series, a special New Year's eve edition was recorded three days before Christmas. Despite featuring David ...
Interview by Simon Reynolds, The Observer, 9 June 1992
"WHEN WE STARTED the group, we felt that people were starved for music which allowed them to let themselves go," says Brett Anderson, Suede's 24-year-old ...
Blur: Palace Theatre, Los Angeles CA
Live Review by Richard Cromelin, Los Angeles Times, 21 March 1997
Blur Strays From Its Roots in Palace Show ...
Suede: Who Loves A Lad In Suede?
Report and Interview by Max Bell, Vox, May 1993
Suede were touted 'the best new band in Britain' before they even left the blocks, now, as they release their debut album, VOX delves behind ...
Review by Stuart Maconie, Q, May 1993
BEFORE ALL this took off, Brett Anderson, Suede's 25-year-old singer, would gloomily tick off each passing birthday as another year gone without his appearing on ...
Blur: Colditz A Knockout!: Blur: The Great Escape (Food)
Review by Paul Lester, Melody Maker, 9 September 1995
If you thought 'Country House' meant BLUR were playing it safe, you haven't heard The Great Escape. Damon has laced his tales of commuter belt ...
Live Review by Jim Sullivan, The Boston Globe, 5 June 1993
Hip, retro Suede: the no-grunge alternative ...
Suede: Head Music (Nude NUDE14CD)
Review by Tom Doyle, Q, June 1999
No Ch-ch-changes — Standing still isn't always as easy as it looks. ...
Morrissey, Suede: Brett Anderson & Morrissey: Suedegate
Comment by Sheryl Garratt, The Face, May 1993
Does this magazine print deliberate lies? Well actually no, we don't ...
Review by Stephen Dalton, Uncut, September 2000
THREE IS the magic number for Britrock alchemists ...
The Auteurs: New Wave (Hut Hut)
Review by David Sinclair, Q, March 1993
A NAME that the nation's tastemakers have been looking up in their dictionaries and dropping in the right circles for, oh, weeks. ...
Report and Interview by Simon Reynolds, Spin, June 1993
Britains new white-hot hope brings its liberated sexual stance to the States. Are you ready to get Suede? ...
Damon Albarn, Blur, Suede: Brett Anderson and the real rivalry of Britpop
Retrospective by John Lewis, So London, March 2007
BACK IN the heyday of Britpop, the rivalry that garnered all the column inches was that between Blur and Oasis; the nice middle-class Essex boys ...
Pulp: This Is Hardcore (Island CID 8066)
Review by Andy Gill, The Independent, 27 March 1998
OF ALL the Britpop stars, it was always going to be Jarvis Cocker who would grapple most readily with encroaching maturity. Having dealt unflinchingly on ...
Blur: Blur (Food/Parlophone 14tks/57mins)
Review by David Bennun, Melody Maker, 8 February 1997
Get this. BLUR have gone lo-fi. They're slumming it. And they might just have made their finest album to date... ...
Profile and Interview by Martin Aston, Select, March 1996
A STANDARD semi-detached on Oxford's fashionably downbeat Cowley Road appears an unlikely HQ for the UK's "hottest new band" (copyright the typically finger-not-on-the-pulse Today newspaper) ...
Pulp: People's Poet: Pulp: This Is Hardcore (Island)
Review by Nick Hornby, Spin, May 1998
On the long-awaited sequel to Pulp's breakthrough album, Different Class, England's unofficial laureate Jarvis Cocker perfects his poetry of the prosaic. By Nick Hornby ...
S*M*A*S*H: Family Club, Welwyn Garden City
Live Review by Johnny Cigarettes, NME, February 1994
WELWYN GARDEN CITY. Always sounded horrible. Not as horrible sounding as Bletchley, Goole or Grimethorpe, admittedly, but more representative of the respectable blandist terrorism that ...
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