Clinton Walker is an art school dropout and recovering rock critic, a Sydney writer the Sun-Herald has called "our best chronicler of Australian grass-roots culture."
Since starting out in student newspapers and his own punk fanzines in Brisbane in 1977, he's published nine books, worked extensively in television, written millions of words as a journalist, produced and/or annotated a score of anthology CDs and been record-shop jockey, a DJ, and even a cook to the stars! After his first book Inner City Sound was published in 1981, Walker spent the rest of the decade on the freelance treadmill, as a star contributor to Australia’s two leading rock rags, RAM and Rolling Stone, and to all the leading local newspapers and magazines. His hillbilly-grunge band the Killer Sheep got run out of the Tamworth Country Music Festival in 1987, before posthumously releasing the single 'Wild Down Home' on Au-Go-Go Records in 1988.
Pulling back from journalism, he wrote four books in the 1990s, including Highway to Hell (his acclaimed, best-selling biography of Bon Scott), Stranded and Buried Country (a history of Aboriginal C&W). Going into the 2000s he moved into television, working on the film version of Buried Country plus, for the ABC, a number of programs, including the hit rockumentary series Long Way to the Top, the late-night live music show Studio 22, and Rare Grooves; plus he produced their soundtrack albums.
More recently, he's written more books outside music topics, but forged a relationship with US publisher Verse Chorus Press to keep in print for the world Highway to Hell and Inner City Sound. In 2012, he published History is Made at Night, a polemic in defense of Australia's besieged live music circuit, and in 2014, VCP will publish a new updated edition of Buried Country, plus its all-new companion piece or sister volume, Walker's tenth book, and first graphic history, Deadly Woman Blues, about the great black ladies of Australian music.
List of articles in the library by artist
Book Excerpt by Clinton Walker, 'Cultural Seeds: Essays on the Work of Nick Cave', 2009
I FIRST MET Nick Cave in Melbourne in early 1978 when we were both, I daresay, players in a new music underground that was still ...
Interview by Clinton Walker, Age, The, 1984
IT'S AN OLD ADAGE that worthwhile art only arises out of conflict. Friction, after all, is what generates the sparks that light the fire. ...
Review by Clinton Walker, Rolling Stone, 1984
THE SUNNYBOYS are a group who had success — or near-success, at least — thrust upon them at an early age, and although it's to ...
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