Cut Hands: Festival Of The Dead (Blackest Ever Black)
Frances Morgan, The Wire, November 2014
THE SHOCK WAVES generated by Cut Hands' 2011 album Afro-Noise (Volume 1) have long dissipated. Ritualistic electronic music built around African drum rhythms is now what William Bennett does, and the more of it he does, the less it is read as a departure from or a kind of polar opposite to his work in Whitehouse.
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