Electronica and Synthpop
Beaver and Krause: Earth People's Pop: Beaver and Krause's In A Wild Sanctuary
Review by Ellen Sander, Saturday Review, August 1970
GREAT AND MAJESTIC the mountains burst from the craggy surface, ethereal and delicate clouds nestle in their crevices. A hammerhead cloud hooks into the sky, ...
Tonto's Expanding Head Band: Zero Time (Embryo)
Review by Dick Meadows, Sounds, October 1971
AT FIRST sight this is an album to put fear into the hearts of stronger men than me. After all, two whole sides of Moog ...
Walter/Wendy Carlos: The Walter Carlos Sonic Boom
Interview by Roy Hollingworth, Melody Maker, September 1972
"There's music in the sighing of a reed; There's music in the gushing of a rill; There's music in all things, if man had ears; The Earth is ...
Tangerine Dream: Exclusiv interview mit Tangerine Dream
Interview by Fred Dellar, New Musical Express, June 1974
They were in Oxfordshire, mixing it at the Manor and sunbathing with scantily clad ladies in the presence of fully clad FRED DELLAR, who here ...
Overview by Davitt Sigerson, Black Music, November 1975
Arps, Moogs, Rhythm Boxes... the sounds of black music have never been more complex. DAVITT SIGERSON explains all. ...
Kraftwerk: Radio-Activity (Capitol)
Review by Richard Riegel, Creem, February 1976
DOES ANYBODY out there remember 1962's top ten screamer, 'Telstar', by the Tornadoes? I really loved it at the time. Not only was it one ...
Interview by Lisa Jane Persky, New York Rocker, May 1976
Suicide Note: "The thought of suicide is a great consolation; with the help of it, one has got through many a bad night."– F. Nietzsche ...
Review by Jon Savage, Sounds, February 1978
SUICIDE? PERHAPS; rather life at one remove, through a one-way mirror. Or wilful withdrawal from the sea of impossibility... ...
Suicide: The Third International Science Fiction Festival, Metz, France
Live Review by Giovanni Dadomo, Sounds, June 1978
METZ: SOURCES inform it to be located some 20 miles east of Paris, France. Or two hours of sky from Luton, England, as it proved ...
Report and Interview by Richard Riegel, Creem, March 1979
(Investigative Reporter Dances The Poot) ...
Jean Michel Jarre: A Jarre With Bottle
Interview by Tim Lott, Record Mirror, March 1979
OR YOU DON'T HAVE TO BE A LOUT TO HAVE CLOUT ...
Tubeway Army: Looking Through Gary Numan's Eyes
Interview by Paul Morley, New Musical Express, June 1979
THE LIST went something like: 2.00pm – Jackie, 2.30pm – My Guy, 3.15pm – Patches, 4.00pm – Record Mirror, 4.45pm – Smash Hits, 5.30pm – ...
Gary Numan: The Pleasure Principle
Review by Danny Baker, New Musical Express, September 1979
AND PEOPLE seethe at the Golden Boy. Let's forget the threadbare rock'n'roll bitch that it's all been done before by 'proper' artists — Bowie this, ...
Gary Numan: Do Sheep Dream Of Electric Androids? The Gary Numan Enigma
Report and Interview by Phil Sutcliffe, Sounds, October 1979
DATA: Gary Numan found his stage name in the Yellow Pages. The original Numan is a vendor of domestic appliances. In German ...
Orchestral Manoeuvres In The Dark: Orchestral Manoeuvres in the Dark: Eric's, Liverpool
Live Review by Penny Kiley, Melody Maker, February 1980
ORCHESTRAL MANOEUVRES are going to be big. It's the opening night of an important tour, on home ground (almost), and the message is there. It's there ...
Gary Numan: Warfield Theatre, San Francisco
Live Review by Mark Cooper, Record Mirror, March 1980
Frozen Robots ...
Suicide: Suicide: Alan Vega and Martin Rev (Ze)
Review by Kris Needs, ZigZag, April 1980
TEN YEARS ago in a dingy New York loft two blokes were whipping up formidable walls of sheer, pulverising sound using just a set of ...
Suicide: Suicide As A Way Of Life
Interview by Sandy Robertson, Sounds, July 1980
"I THINK," breathes the camp dwarf in the sweatshirt and stubble, "that people should only write songs about economics and sex, because that's all everybody's ...
The Human League: LADIES, GENTS, ANDROIDS, MUTANTS & BIOTRONS A BIG HAND For The Human League
Report and Interview by Charles Shaar Murray, New Musical Express, July 1980
THE HUMAN LEAGUE ADVENTURE IS JUST BEGINNING. The first slide appears on the top left-hand screen. It is rapidly flanked by another: A LONG TIME AGO IN ...
Gary Numan: Match Wits With Gary Numan!
Interview by Jeffrey Morgan, Creem, January 1981
...if you were him, what would you do? Administered and Graded by Neuromantic Jeffrey Morgan, B. A. ...
Depeche Mode: This Year's Mode(l)
Profile and Interview by Betty Page, Sounds, January 1981
DISPEL FROM your minds the untenable notion that Futurists are either bored Mummy's boys tinkering with expensive gadgets or desperately earnest avant-garde merchants trying to ...
Kraftwerk: Computer World (EMI)
Review by Andy Gill, New Musical Express, May 1981
COMPUTER-WORLD is the first Kraftwerk LP for over three years, an inordinate period of silence for most groups, but no surprise in their case. Indeed, ...
DAF: D.A.F.: The Venue, London
Live Review by Andy Gill, New Musical Express, June 1981
'ALLES IST Gut', for sure, ist gut: there's an almost imagistic pointedness to DAF's musical progressions, just simple sequencer patterns stripped bare of "musicianly" encumbrances ...
Moog On The State Of The Synthesizer
Report and Interview by Don Snowden, Los Angeles Times, June 1981
IT’S NOT UNUSUAL for a musician to become controversial, but it is rare for a musical instrument to be debated. Robert Moog may have envisioned ...
Kraftwerk: A Computer Date with a Showroom Dummy
Interview by Chris Bohn, New Musical Express, June 1981
And we'll fahr'n, fahr'n, fahr'n auf der Autobahn — until big daddy takes our Volkswagen away. Chris Bohn and Anton Corbijn do the Spanish hustle with Kraftwerk ...
The Human League: Beautiful Dreamers
Interview by Mark Cooper, Record Mirror, August 1981
Start with pop with a capital P, add a touch of glamour, stir with a generous helping of amateur enthusiasm and you've got the new ...
British Electric Foundation, Heaven 17: Heaven 17… Or Music For Business And Pleasure
Report and Interview by Ian Birch, Smash Hits, September 1981
BACK IN THE middle '70s, when punk snapped out of the woodwork, everyone wanted "complete control". It was a Robin Hood policy — steal from ...
Heaven 17: Penthouse and Pavement (BEF/Virgin)
Review by Paul Morley, New Musical Express, September 1981
YES, THERE'S plenty of use! Sometimes you can wonder why you're so enthalled by pop's maze: it would be easy to break out in that ...
The Human League: Dare (Virgin)
Review by Paul Morley, New Musical Express, October 1981
SURPRISE! ...the love of human MOR-als ...
Devo: Sixties Idealists or Nazis and Clowns?
Interview by Michael Goldberg, Rolling Stone, December 1981
LOS ANGELES — "Someone wanted to know where your home is," the waitress said to Mark Mothersbaugh. "I don't have a home," Mothersbaugh replied softly, peering at ...
Fad Gadget: Fadfoolery and Frank Confessions
Interview by Paul Morley, New Musical Express, January 1982
Paul Morley encounters Frank Tovey on the verge of failure, and Fad Gadget on the point of hysteria. So why is this a succesful combination? ...
Interview by Dave Rimmer, Smash Hits, February 1982
TWELVE YEARS OF PRACTICAL ELECTRONICS FINALLY PAY OF WITH THE SUCCESS OF 'THE MODEL'DAVE RIMMER TOURS THE WERKS ...
Profile and Interview by Dave Rimmer, Smash Hits, February 1982
MAYBE IT'S something to do with the '80s computerised approach to pop. Or maybe it's a reflection of the hard business sense many young bands ...
Report and Interview by Charles Shaar Murray, Vogue, May 1982
The Human League are widely acknowledged as this minute's perfect pop group. The following is an account of their perfectly romantic rise in the charts. ...
Report and Interview by Lesley White, Face, The, May 1982
IN CASE YOU'RE still wondering, Vince Clarke's amicable departure from Depeche Mode was motivated by nothing less than that time honoured and truly honourable ideal: ...
The Human League, Japan: Human League: Dare (A&M); Japan: Japan (Virgin/Epic)
Review by J.D. Considine, Musician, June 1982
CONTRARY TO popular belief, all synthesizer bands are not unlistenable. True, many do sound rather like the result of an infinite number of silicon chips ...
New Order (For The Old Ceremony)
Report and Interview by Richard Grabel, Creem, June 1982
NEW YORK — The word had gone out through Ruth Polsky, the booking agent handling New Order's American tour. No interviews. They never do them. ...
Orchestral Manoeuvres In The Dark: OMD: Pilgrims' Unplanned Progress
Interview by Toby Goldstein, Creem, June 1982
NEW YORK — Think a minute, and recall the members of the Electronics Club at your school. If stereotypes haven't been swept under the carpet ...
Interview by Betty Page, Noise!, June 1982
EVERY OTHER individual who burst forth from neo-legendary club The Blitz as aspiring popster or artist/designer/photographer has now almost been forgiven the cardinal sin of ...
Profile and Interview by Toby Goldstein, Trouser Press, October 1982
MIKE SCORE, 24-year-old founder and lead vocalist of A Flock of Seagulls, strongly resembles a large winged being: His carroty-blond hair has been coaxed into ...
Report and Interview by Mark Cooper, Record Mirror, November 1982
THESE THREE men belong to neither pavement nor penthouse. Instead they've grown comfortable by the fireside. Heaven 17, Martyn Ware, Ian Craig Marsh and Glenn ...
Thomas Dolby: Life in the Age of Wireless: Thomas Dolby's State-of-the-Artwork
Interview by Toby Goldstein, Creem, December 1982
PERHAPS IN another century, Thomas Morgan Dolby Robertson would have been an explorer of science. I imagine him in an antique laboratory like another Thomas ...
Thomas Dolby: Marquee Club, London
Live Review by Dave Rimmer, Smash Hits, December 1982
UNTIL THIS series of four shows at London's Marquee, live appearances from the redoubtable Mr Dolby have been rare indeed. He was, apparently, locked up ...
Depeche Mode: Modes to Freedom
Interview by Betty Page, Record Mirror, January 1983
A YELLOW PLASTIC watering can rests idly on the floor, haying just recovered from a bashing the previous night in the name of 'percussive effects'. ...
Soft Cell, Yazoo: Soft Cell and Yaz(oo): Synths and Singers
Interview by Jon Young, Trouser Press, February 1983
JUST TWELVE months ago it was unclear if the primarily British phenomena of synthesizer bands would exhibit any staying power. Although 1981 was a good ...
Yazoo: Yaz: Upstairs At Eric's (Mute/Sire)
Review by Richard Riegel, Creem, March 1983
"YAZ," ARE really "Yazoo," and still go by that name in the U.K. and Europe, but for North American consumption they had to drop the ...
Blancmange: Stuck In The Mould
Report and Interview by Paolo Hewitt, New Musical Express, March 1983
Paolo Hewitt attempts to cultivate a taste for Blancmange but finds their electronic packet mix still leaves him cold... but not freezing. ...
The Human League: Fascination! (A&M)
Review by Richard Riegel, Creem, September 1983
BACK IN THEIR serious-artiste days, before they shed the future Heaven 17 to go POP! with capital P's, the Human League used to attempt to ...
Gary Numan: Hammersmith Odeon, London
Live Review by Don Watson, New Musical Express, October 1983
BARBIE'S BOYFRIEND IN BONDAGE GEAR ...
Bronski Beat: Runaway Boys: Bronski Beat
Interview by Dave Rimmer, Smash Hits, June 1984
Bronski Beat are young, talented and they've only played a handful of concerts. And suddenly everyone's asking them questions. Questions about their "stance" as a ...
Heaven 17: The Heaven 17 Manifesto
Interview by Max Bell, No. 1, September 1984
Once upon a time, Heaven 17 presented themselves as the dynamic young businessmen of pop. But now they've crossed sides to support the miners, the Labour ...
Heaven 17: How Men Are (Virgin)
Review by Mat Snow, New Musical Express, September 1984
YOU KNOW the pokerwork proverb in every chippy/cab firm/newsagent in the country: "You don't have to be mad to work here…but it helps!" ...
Interview by Paul Sexton, Record Mirror, February 1985
In our fascinating profile of Mr Glenn Gregory, crooner of this parish, we discover what Heaven 17 and toilet paper have in common. And there's ...
Interview by Chris Roberts, Sounds, May 1985
"I DON'T KNOW exactly what a pop theorist is," says Green. "I think everybody has their own ideas on what pop music's about and what ...
Depeche Mode: Private Lives: The Depeche Mode Story, Pt. 2 – Martin Gore, The Decadent Boy
Interview by Max Bell, No. 1, May 1985
In the second part of our exclusive Depeche Mode series Martin Gore talks about his steady progression from milkmaid to bank clerk to popstar in ...
Jean Michel Jarre: Jean-Michel Jarre: French Polish
Interview by Robin Katz, Over 21, June 1985
Jean-Michel Jarre — more than an upmarket face and Sunday supplement music. He talks to Robin Katz. ...
Interview by Edwin Pouncey, Sounds, June 1985
Is there life after Suicide? Martin Rev gets fired up ...
The Human League: Six Go Completely Bonkers
Interview by Tom Hibbert, Smash Hits, July 1985
Three years ago, The Human League were the biggest pop group in the whole world. Their classic single 'Don't You Want Me' had been number ...
Marc Almond: Do You Hate This Man?
Interview by Tom Hibbert, Smash Hits, September 1985
Do you hate this man? If so you're not alone. Marc Almond admits he's "one of the most disliked of all pop stars". But he ...
Pet Shop Boys: The Pet Shop Boys: An ex-Smash Hits Writer and the Grandson of a Nitwit
Interview by Tom Hibbert, Smash Hits, December 1985
Doesn't sound like the ideal line-up for a successful pop duo, does it? But now that 'West End Girls' is whizzing up the charts that's ...
Propaganda: The Pop Machinery Cranks On
Interview by Chris Roberts, Sounds, February 1986
In the frozen musical wastes of '86, Claudia Brucken-Morley thinks of PROPAGANDA as "being a life long thing". CHRIS ROBERTS is thinking more along the ...
Pet Shop Boys: Please (Parlophone PS81)**
Review by Sandy Robertson, Sounds, March 1986
AUF WIEDERSEHEN PETS ...
Suicide: Camden Palace, London
Live Review by Barney Hoskyns, New Musical Express, November 1986
A LITTLE hipper than they were when Clash fans bottled them a decade ago, the cult New York duo Suicide have reformed for some select ...
Kraftwerk: Electric Café (Warner Brothers)
Review by Glenn O'Brien, Spin, March 1987
Platter du Jour ...
Erasure: Westminster Central Hall, London
Live Review by Betty Page, Record Mirror, April 1987
IT WAS A night full of juicy contradictions. Fancy having a pop show in a Methodist hall next to a statue of John Wesley! Fancy ...
Scritti Politti: A Restauranteur's Guide To The Galaxy
Report and Interview by Rachel Felder, Alternative Press, 1988
GREEN GARTSIDE – Mr. Scritti Politti – describes his band's sound in the distanced terminology of a fed up rock critic; as he puts it, ...
Pet Shop Boys: Outsiderdom: The Pet Shop Boys
Profile and Interview by Mat Snow, Q, August 1988
The Pet Shop Boys have played live once, never toured and only grudgingly socialize with the pop fraternity. They've stoutly refused to take the conventional ...
Depeche Mode: California Screaming
Report by Paul Mathur, Blitz, September 1988
In Britain, they're known as just another plinky plonk band. But in the USA, the boys from Basildon are megastars. Paul Mathur visits California during ...
Live Review by Jane Solanas, New Musical Express, September 1988
THE THING about this alarming trend of 'rock comebacks' is that the term can mean anything from the return of a bankrupt geriatric to the ...
Interview by Steven Wells, New Musical Express, October 1988
"IT'S COLD outside" sang GARY NUMAN nine years ago during 'Are Friend's Electric''s wintery grip on the charts. None of Gaz's more recent attempts have ...
Depeche Mode: The Unlikely Lads
Profile and Interview by Mat Snow, Q, April 1989
The latest stadium-filling attraction in the States is a band that began as a cheaply equipped electronic pop act from Basildon. Today, Depeche Mode are ...
Brian Eno: Man Out Of Time: Brian Eno
Interview by Don Watson, Spin, May 1989
"IS THIS 1962 OR 20 YEARS ON?" asked the sleeve notes of the first Roxy Music LP, the record that introduced Brian Eno to the ...
Review by Paul Lester, Melody Maker, March 1990
DEPECHE MODE have always been the poor relations of New Order and Kraftwerk, offering pedestrian, sometimes inconsequential variations on the electro-pop theme. Their simplified interpretations ...
Nitzer Ebb: Re-Pressing The Start Button
Interview by Cathi Unsworth, Sounds, March 1990
The jackboots are off and Nitzer Ebb have loosened up into a cool pumping rock mode. But do they long to strut afront a Marshall stack letting ...
The KLF: KLF: Tales From The White Room
Interview by John McCready, Face, The, September 1990
SINISTER. That's the word. The KLF are sinister. With their pervy mail-order black-hooded packamacks, their propaganda and their perfect assimilation of rave culture they are ...
Electronica: Electronics Anonymous
Report by Johnny Black, Q, December 1990
Swatched in dry ice, tucked behind towering banks of keyboards, they are the spiritual descendents of Tangerine Dream and Vangelis, prescribing "psycho-active music to bring ...
Pet Shop Boys: Opera House, Blackpool
Live Review by David Quantick, New Musical Express, June 1991
"WELL, MY mother would agree with you," says Neil Tennant after. "She doesn't like the first half either." ...
Review by Keith Cameron, Vox, July 1991
IT'S THE DREAM ticket – two prime movers from the two most significant British pop groups of the '80s unite to form a unique presidential ...
Bomb The Bass: Seasonal Adjustment
Interview by Push, Melody Maker, July 1991
TIM SIMENON shuts his eyes, shakes his head and through gritted teeth describes the last Bomb The Bass single, 'Love So True', as "a total ...
William Orbit/Bassomatic: Inner Space
Interview by Jim Arundel, Melody Maker, January 1992
It's four in the afternoon, which is a bit early in the day for William Orbit, especially as he awoke with a migraine. ...
Interview by Stephen Dalton, New Musical Express, March 1992
IT'S GRIM down south. Suicidally so on the remote escarpment of lunar terrain where the Dungeness nuclear reactor hums its menacing mantra out across beaches ...
Leftfield: Release The Pressure!
Interview by Push, Melody Maker, December 1992
CRITICAL ACCLAIM means bugger-all in clubland. Here, an act's reputation is better measured by the number of others sampling them. And, right now, it's impossible ...
Interview by Simon Witter, Sunday Times Magazine, February 1993
A brief interview piece from early '93, just before her album Debut came out. Nobody, least of all her, had any idea how huge it ...
Pink Floyd Meet The Orb: David Gilmour and Dr. Alex Patterson
Interview by David Bennun, Melody Maker, March 1993
JUST ABOUT everything anybody has ever told you is wrong. Take, for a very mundane example, the music you listen to. Most likely, there are ...
L.F.O., The Orb, Orbital, The Shamen, T99, Third Eye: Techno
Overview by Mark Dery, Keyboard, April 1993
TECHNO. THE name sounds at once monolithic and impersonal, the acronym of a multinational conglomerate, and toylike, as in brightly colored plastic Lego blocks. ...
Live Review by Dele Fadele, New Musical Express, August 1993
GOOD VIOLATIONS ...
Live Review by Chris Roberts, Melody Maker, August 1993
"THAT'S IT THEN," bellows the portly juggler, with some relief, on the train back to civilisation. "Done The Mode. Tick that one off." ...
The Orb, System 7: Trekroner Fort, Copenhagen
Live Review by Paul Moody, New Musical Express, September 1993
SOMETHING'S ROCKING IN THE STATE OF DENMARK ...
Review by Ian Christe, Alternative Press, November 1993
INSIDE AN artful cardboard CD holder, liner notes for Collusion explain that Zoviet France refused to participate in compilations for many years for two reasons: ...
Interview by Simon Reynolds, Melody Maker, November 1993
Aphex Twin is unusual. He likes tanks. He hates sleeping. And he pours tea on his cereal. SIMON REYNOLDS meets the rave-age Mozart in a ...
Aphex Twin: Machine Soul: A History Of Techno
Overview by Jon Savage, Village Voice, The, Summer 1993
Oooh oooh Techno cityHope you enjoy your stayWelcome to Techno cityYou will never want to go away– Cybotron, 'Techno City' (1984) ...
The Orb: Live '93 (Island COO 8022)
Review by Lisa Verrico, Vox, January 1994
Q. WHAT'S THE difference between The Orb in concert and The Orb in the studio? A. An amazing light show, a revolving spiky symbol and ...
Interview by Push, Melody Maker, January 1994
I KNOW IT'S ONLY January but there's no way you will hear a more thrilling dance music album this year than Underworld's Dubnobasswithmyheadman. No fucking ...
Aphex Twin: Armed and Fairly Dangerous
Interview by Stuart Maconie, Q, March 1994
AND BY their conspicuous celebrity consumption you shall know them. When Rick Wakeman entered rock's upper echelon, he armed himself with a fleet of Rolls-Royces. ...
Aphex Twin: Selected Ambient Works Volume II (Warp)
Review by Simon Reynolds, Melody Maker, March 1994
The prodigious, prolific and increasingly eccentric Richard James brings us two and a half hours of his unique muse. SIMON REYNOLDS is bewitched on our ...
Interview by David Toop, Wire, The, September 1994
Pete Namlook is one of the more remarkable figures of 90s electronic music. Since December 1992, he has released over 150 albums on his own ...
Future Sound of London: The Future Sound of London: Lifeforms (Astralwerks/Caroline)
Review by Richard Gehr, Spin, September 1994
GOD BLESS the Future Sound of London — Gary Cobain and Brian Dougans — for striving to infuse personality and humanity into the chip-driven technoscape. ...
Future Sound of London: Beauty/Paranoia at the Flick of a Pixel
Interview by Chris Campion, Mondo 2000, Summer 1994
EMITTING ELECTRONIC effluvia across a liquid sky. Broadcasting their alienation out to the world. Future Sound Of London's music and pronouncements contain viral strains of ...
Tricky: [the Phantoms of] TRICKNOLOGY [versus a Politics of Authenticity]
Essay by Ian Penman, Wire, The, March 1995
"Machine technology is a type of transformation." Martin Heidegger ...
Interview by Ian Gittins, Melody Maker, March 1995
THE ORB, the first band since Pink Floyd to transfer ambient noodling and stunning visuals from clubs to stadia, return this week with a new ...
Carl Craig: Listen To The Future
Profile and Interview by Kodwo Eshun, i-D, April 1995
One of Detroit's legendary first generation, Carl Craig has left behind the legacy he's outgrown. Ripping up techno's rule-book, this 25-year-old is making records for ...
The Chemical Brothers: Apothecary Now: The Chemical Brothers : Exit Planet Dust (Junior Boys Own)
Review by Stephen Dalton, New Musical Express, June 1995
THINK OF THE truly great, era-defining albums of the last 18 months. Definitely Maybe would be in there. Ill Communication and Dummy, too. ...
Interview by David Bennun, Melody Maker, June 1995
NOW HERE'S what you know about Björk. She's tiny, elfin, mad as a rabbit, childish, arty, trendy and Icelandic. ...
Aphex Twin: I Care Because You Do (Sire/Elektra)
Review by Eric Weisbard, Spin, July 1995
NO, MR TWAIN, I care because you do. I wasn't sure I did, for a minute — the largely drumless synth moans of 1994's oddly ...
Interview by Phil McMullen, Ptolemaic Terrascope, 1996
"You are about to have probably the most unusual musical experience of your life. The music will enter areas of your mind never before opened ...
Interview by David Stubbs, Melody Maker, January 1996
For 25 years, DAVID TOOP has been writing about making music that breaches all musical boundaries. Now he's compiled a CD that sets out to ...
Pet Shop Boys: An Attitude Thing
Interview by Ben Thompson, Independent, The, April 1996
THERE IS NO MORE embarrassing chapter in the big book of Pop Interview Ritual than the one in which you're forced to listen to music ...
DJ Spooky: Spooky After Dark: The DJ as Dead Dreamer
Review by Richard Gehr, Village Voice, The, June 1996
DJ SPOOKY'S Songs of a Dead Dreamer (Asphodel) magically distills the mysterioso live performances the artist (and occasional Voice contributor) otherwise known as Paul D. ...
Electronic: Raise the Pressure
Review by Barney Hoskyns, MOJO, August 1996
FIVE YEARS after cementing their partnership as the coolest Mancunians on the planet, Messrs Marr and Sumner return with a dreadfully disappointing album. Raise The ...
Guide by John McCready, MOJO, 1997
UNLIKE THE Hoover, a similarly undisputed brand leader which describes any vacuum cleaner as all vacuum cleaners do the same thing, all synthesizers are, over ...
Profile by Richard Gehr, Village Voice, The, January 1997
AN AKIMBO version of hippie-band staple 'In the Midnight Hour' was the only thing about the Silver Apples' recent appearance suggesting they were anything other ...
MTV's Unconventional Amp Takes A Stab At Reinventing Popular Music for the 21st century
Report by Matt Hanks, Memphis Flyer, March 1997
SO YOU'VE HEARD about this new craze that's all the rage with the kids. Although it has yet to produce its first teen idol, 'electronica' ...
Profile and Interview by Andy Gill, MOJO, April 1997
Chilly symphonies and misty synth-scapes: the Gothic revival starts here ...
Interview by Barney Hoskyns, Request, May 1997
"DOCTOR" ALEX Patterson, overlord of the Orb and revered godfather of the genus Ambient Techno, would like another brandy and ginger, if you don’t mind. ...
Review by David Stubbs, Uncut, June 1997
YELLO HAVE been into electronica since their inception in 1980, when only the most wilfully avant-garde dabbled in synthesisers for any purpose other than the ...
The Prodigy: Prodigy: The Fat of the Land
Review by Simon Reynolds, Village Voice, The, July 1997
SOME SAY the Prodigy have betrayed the bright promise of the "electronica revolution", resulting in a techno-rock hybrid that's not so much kick-ass as half-assed. ...
The Prodigy: Prodigy: The Fat Of The Land
Review by Barney Hoskyns, Rolling Stone, August 1997
RARELY HAS a pop trend been so shamelessly spoon-fed to America as the hold-all genre dubbed "electronica". Rarely, indeed, has the music industry tried so ...
Interview by Jason Gross, Perfect Sound Forever, September 1997
IT'S HARD NOT TO praise someone who's a pioneer and a star in techno/electronica — that's just Richard D. James (aka Aphex Twin) for you. ...
Pet Shop Boys: Savoy Theatre, London
Live Review by Paul Morley, Uncut, September 1997
Neil Tennant: vaudevillian existentialist? ...
Silver Apples: Oscillate Wildly
Retrospective and Interview by Edwin Pouncey, Wire, The, September 1997
After 30 years of universal neglect, New York's Silver Apples are finally getting recognition for their pioneering electronic rock. ...
The Orb: Living in Orblivion: The Orb
Report and Interview by JoE Silva, Remix, 1998
"THE RECORD COMPANY didn't have a clue what was going on." ...
Book Excerpt by Ben Thompson, 'Seven Years of Plenty', 1998
DRIVING ON THE M25 in a rusty Mini. Early evening, thick drizzle. Only one windscreen wiper works because someone has snapped the end off the ...
Review by Andy Gill, Independent, The, January 1998
IF, AS SOME believe, 1998 is to be the year that France finally produces pop music of international appeal, then synth duo Air are the ...
Interview by Andy Crysell, New Musical Express, January 1998
Qu'est-ce que c'est? Music that sounds like ELO jamming over a porn flick soundtrack — on the moon!? Oh yes indeedy, prepare to enter the ...
Add N to (X): Equation Plug Foundation
Interview by Andy Crysell, New Musical Express, February 1998
They take their name from a mathematical formula, think electricity is God, want to form a 1,000-strong synth orchestra and play a millennium gig from ...
Review by Chris Roberts, Uncut, August 1998
THOUGH THEY'RE often lumped in with other early Eighties techno-tarts as shiny and superficial, Soft Cell had a soot-black heart, a vicious edge, and an ...
Depeche Mode: Wembley Arena, London
Live Review by Carl Loben, Melody Maker, October 1998
CITED BY MANY electronica artists as an early influence, Depeche Mode began life as chirpy synth-poppers in the early '80s before moving into superb clangers ...
Depeche Mode's sonic revival: The godfathers of techno tour again
Report and Interview by Jim Sullivan, Boston Globe, The, October 1998
IT'S ABOUT A month ago, and Depeche Mode -- Martin Gore, David Gahan, and Andy Fletcher -- are in England, on the eve of a ...
DAF: Deutsch-Amerikanische Freundschaft: Reissues
Review by David Stubbs, Uncut, December 1998
Overdue reissue of Eighties German minimalist synth duo's electronic pop albums ...
Retrospective and Interview by David Bennun, Guardian, The, February 1999
AS LOW POINTS go, this one was not merely a dip in life's road. It was a chasm. A gorge. A bloody great sheer-sided canyon. ...
Fatboy Slim: Electronica Goes Straight To Ubiquity
Report and Interview by Simon Reynolds, New York Times, The, June 1999
THE USUAL trajectory for a new form of pop music is from underground sound to mainstream omnipresence, followed by eventual banalization as the style filters ...
The Chemical Brothers: Chemical Brothers: Heeeere we go!
Review by Jon Savage, MOJO, July 1999
The Chemical Brothers: Surrender First album since 1997's chart-topping Dig Your Own Hole features guest vocals from Noel Gallagher, Hope Sandoval, Jonathan Donahue and Bernard ...
The Chemical Brothers: Back To The Lab
Interview by Simon Reynolds, Spin, July 1999
WHAT DO YOU DO WHEN THE BLOCK-ROCKIN' SOUND YOU INVENTED HAS BECOME THE SOUNDTRACK TO LAME TEEN FLICKS AND TAMPON COMMERCIALS? IF YOU'RE THE CHEMICAL ...
Review by Eric Weisbard, Village Voice, The, August 1999
AUTECHRE, THE ENGLISH DUO of Sean Booth and Rob Brown, don't so much write songs as program ecosystems. Within electronica, where everyone says Autechre have ...
Interview by David Bennun, Observer, The, October 1999
AS REGENCY drawing rooms go, this one is on the largish side but, at first sight, perfectly ordinary. ...
Go Kart Mozart: Go-Kart Mozart: Instant Wigwam And Igloo Mixture (West Midlands)****
Review by Bob Stanley, Uncut, January 2000
No reservations: Former Felt and Denim singer Lawrence presents unsettling novelty electronica ...
Kid Koala: Carpal Tunnel Syndrome (Ninja Tune)
Review by Eric Weisbard, Village Voice, The, February 2000
LISTENING TO Carpal Tunnel Syndrome, it's possible to imagine that generations of musical progress have brought us back to the dawn of jazz, that through ...
Various Artists: Machine Soul: An Odyssey Into Electronic Dance Music
Review by Ian MacDonald, Uncut, June 2000
From Kraftwerk to BT, via Throbbing Gristle, Moby and the Chemicals – the history of synthpop ...
Matmos: Where Art Worlds Collide
Profile by Eric Weisbard, Village Voice, The, June 2000
I MUST HAVE misplugged my phone adapter before interviewing Drew Daniels and Martin Schmidt of Matmos, because all I hear on the tape are my ...
Max Tundra, Tele:funken: Tele:funken: A Collection Of Ice Cream Vans Vol 2
Review by Nick Hasted, Uncut, July 2000
LIKE LABELMATE Max Tundra's debut last month, Tele:funken, aka Tom Fenn, here attempts electronica disconnected from the dancefloor, skipping round the looped conservatism of current ...
Review by Stephen Dalton, Uncut, July 2000
Founding fathers of technopop come together in electro land ...
Interview by Ben Thompson, Independent, The, September 2000
"WHEN YOU'RE YOUNG", explains 29-year old North London electro-soul auteur Leila Arab, "you get into these strange emotional states - either of over the top ...
Radiohead: Sound and Fury: Radiohead
Profile and Interview by Andrew Smith, Observer, The, October 2000
IN THE EARLY '90S, you knew you'd arrived as a rock group the day you made it on to MTV and the Beavis & Butthead ...
Review by Ian Penman, Uncut, December 2000
Mixed bag of tricks from latest Electronica whiz ...
Profile and Interview by David Bennun, Hot Air, Summer 2000
THEY CALLED him Moby from the moment he was born. A tiny homunculus, small for his age even then – too small, they thought, for ...
Book Excerpt by Phil Hardy, Dave Laing, Faber Companion to 20th Century Popular Music, 2001
Jean-Benoit Dunckel, b. Versailles, France; Nicolas Godin, b. Versailles, France ...
Book Excerpt by Phil Hardy, Dave Laing, Faber Companion to 20th Century Popular Music, 2001
Vince Clarke, b. 3 July 1960, Basildon, Essex, England; Andy Bell, b. 25 April 1964, Peterborough, Northants, England ...
Book Excerpt by Phil Hardy, Dave Laing, The Faber Companion to 20th-Century Popular Music, 2001
Dieter Meier; Boris Blank ...
Review by David Stubbs, Uncut, April 2001
Gods of "filter disco" finally issue follow-up to 1997'strailblazing Homework. ...
Goldfrapp: "The Mercury prize? Oh God, that would be great. I deserve something"
Profile and Interview by Dave Simpson, Guardian, The, May 2001
Singing sensation Alison Goldfrapp tells Dave Simpson why her time has come. ...
Aphex Twin: Rephlex Records at 10
Report and Interview by Chris Campion, URB, June 2001
PART MALL, part Moroccan Souk, Elephant & Castle Shopping Centre is a dilapidated mish-mash of late '60s brutalist architecture that contains a bustling marketplace. It's ...
Air, Daft Punk: Daft Punk & Air: Disco Tech
Profile and Interview by David Stubbs, Uncut, July 2001
DAFT PUNK AND AIR ARE THE BEATLES AND STONES OF THE INTERNATIONAL DANCE SCENE. SO WHY IS THE FRENCH ESTABLISHMENT – SO PROUD OF ITS ...
Review by Stephen Dalton, Uncut, July 2001
First six studio albums plus Tennant's extra ...
Plaid, Prefuse 73, Squarepusher: Warp Records: Various Reviews
Review by David Stubbs, Uncut, July 2001
Don't all rush at once, alt.country fans – a triple-whammy of Warp techno Plaid - Double Figure Prefuse 73 - Vocal Studies And Uprock Narratives Squarepusher - Go ...
The Human League: Don't you want them? Maybe
Profile and Interview by Simon Price, Independent on Sunday, July 2001
Sheffield synth-pop trio the Human League haven't always had it easy, but they've never given up. Simon Price met them as they prepare to stage ...
New Order: Olympia Theatre, Liverpool
Live Review by Simon Price, Independent on Sunday, July 2001
"IT'S LIKE WE'VE never been away," says New Order's Bernard Sumner, and they haven't, really. ...
Björk: The Last Great Pop Star
Interview by Nick Coleman, Independent, The, August 2001
She thumps reporters, wears funny clothes and thinks she was born in the wrong century. Now she's made an album about her kitchen. Nick Coleman ...
Cabaret Voltaire: Various Compilations
Review by Simon Reynolds, Uncut, December 2001
From post-punk to dance crossover: Sheffield pioneers' mid-Eighties revisited The Original Sound Of Sheffield — The Best Of The Virgin/EMI Years Conform To Deform — The Virgin/EMI ...
Kurt Ralske, Ultra Vivid Scene: Kurt Ralske: An Interview
Interview by David Hemingway, unpublished, March 2002
AUTHOR'S NOTE: This was intended as the basis for a feature in Alternative Press. It's never been previously published. ...
Review by David Hemingway, Guardian, The, April 2002
NOEL GALLAGHER may attribute Oasis's success to having simply written unpretentious, uncomplicated songs on his guitar, but not everyone shares this fascination with six strings. ...
Report and Interview by Ian Watson, Sunday Herald, May 2002
FROM THE OUTSIDE, Moby Mansions looks like any other whitewashed townhouse in upmarket west London. Walk a little too quickly and you'd pass it without ...
Adult, Fischerspooner: The '70s are so '90's: The '80s are the thing now
Report and Interview by Simon Reynolds, New York Times, The, May 2002
AND NOW, the '80s. It was probably inevitable. The pop music and fashion industries depend on recycling their own history, and the retro styles of ...
DJ Shadow: King of the Vinyl Junkies
Report and Interview by Chris Campion, Daily Telegraph, June 2002
DJ Shadow revolutionised hip hop with his first album and toured the world with Radiohead, but he is still regarded as a record-collecting nerd, he ...
Essay by Biba Kopf, Wire, The, August 2002
Punk may have been reduced to a teen angst soundtrack, but it created a virus that liberated Germany — specifically, the fiendish marriage of punk ...
My Computer: MY COMPUTER: Vulnerabilia
Review by Paul Lester, Uncut, October 2002
YOU COULD get the wrong impression about My Computer from Vulnerabilia, as raved about everywhere from Uncut ("the most original debut LP by a Manchester ...
Kraftwerk: Trans-Europe Express
Review by Pat Blashill, Rolling Stone, October 2002
WITH THEIR 1974 international smash hit 'Autobahn', Kraftwerk had coolly demonstrated that an experimental electronic group from Dusseldorf, Germany, could kick out perfect pop on ...
New Order: "We've had it large"
Profile and Interview by Ted Kessler, Guardian, The, November 2002
A five-year split, a suicide, financial ruin, heavy cocaine abuse... New Order have survived the lot – and they're nowhere near quitting. Ted Kessler meets ...
Marc Almond, Soft Cell: Marc Almond: That's enough erotic cabaret!
Report and Interview by Simon Price, Independent on Sunday, February 2003
Soft Cell's Marc Almond is intending to grow old gracefully, says Simon Price. Then again... ...
Goldfrapp: Black Cherry (Mute) ****
Review by Jim Irvin, MOJO, March 2003
Second album from sultry singer/musician Alison Goldfrapp and musical partner Will Gregory. ...
Autechre: The Futurologists: Autechre
Interview by David Stubbs, Wire, The, April 2003
The world of electronica might have become overcrowded since their first releases a decade ago, but Autechre are still burrowing through microscopic cracks into the ...
Live Review by Simon Price, Independent on Sunday, March 2004
Automata for the people ...
Depeche Mode: The Day I Met Four Terrified Teenagers Called Depeche Mode
Memoir by Beverley Glick, beverleyglick.com, 2005
In the fourth extract from my Eighties memoir, another brand-new pop group gets interviewed by Sounds' Betty Page, who is fast establishing herself as the go-to ...
Report by Simon Reynolds, New York Times, The, January 2005
IN THE FIRST months of 2005, two of electronic dance music's biggest bands will release what are generally referred to as long-awaited albums. ...
Interview by Stevie Chick, Kerrang!, February 2005
FIVE YEARS. It's a long time by most people's standards, but when such a period passes between albums by Nine Inch Nails, the turbulent electro-noir ...
Review by Dan Gennoe, dotmusic.co.uk, March 2005
ONCE TAGGED the "Iggy Pop Of Techno", New York electronica geek Moby's come a long way. ...
Goldfrapp: Tales Of The Supernatural
Interview by Ian Watson, Scotsman, The, August 2005
ABOUT A year and a half ago, Alison Goldfrapp finally snapped. ...
Retrospective and Interview by Simon Witter, MOJO, September 2005
2009 NOTE: This is a 9000-word "Director's Cut" version of a 5000-word piece written for MOJO in September 2005. ...
Boards Of Canada: Protect and Survive
Interview by Rob Young, Wire, The, October 2005
In a rare face to face interview at their Scottish retreat, Boards Of Canada break their self-imposed isolation to scotch the myths that have coalesced ...
Cut Copy: 'It's Certainly Not Knob Twiddling'
Interview by Dave Simpson, Guardian, The, October 2005
When they are not letting off fireworks in people's houses, or rugby tackling Mylo off the stage, Australia's Cut Copy are the future of synth-pop. ...
Hot Chip: Coming on Strong (Astralwerks)
Review by Will Hermes, Spin, January 2006
TIMMY THOMAS' 1972 beat-boxdriven hit 'Why Can't We Live Together?' is a paradigm of how machine rhythms can make the human voice sound simultaneously stalwart ...
Review by Paul Morley, Observer, The, May 2006
The style-mag favourites walk the irony tightrope with their airy electro-pop. Paul Morley applauds from the stalls ...
LCD Soundsystem: Sound of Silver
Review by Dorian Lynskey, Guardian, The, March 2007
LCD SOUNDSYSTEM'S James Murphy is chiefly regarded as a man with a gargantuan record collection. ...
Crystal Castles: New Band of the Day: Crystal Castles
Profile by Paul Lester, Guardian, The, December 2007
Paul Lester hearts these darlings of the electronic underground, whose "songs" sound like a load of Gameboys going off all at once in your brain ...
The Chemical Brothers: Chemical Brothers: Chemical Romance
Report and Interview by Gavin Martin, Daily Mirror, December 2007
WHILE MANY OF their 1990s superstar DJ peers have fallen by the wayside, the Chemical Brothers remain a phenomenal British success story. Duo Ed Simons, ...
Hot Chip: Made in the Dark ****
Review by Ben Thompson, Observer, The, January 2008
You might know them as pop nerds, but Ben Thompson just loves their power ballads ...
Hot Chip: The League of Very Ordinary Gentlemen
Profile and Interview by Dorian Lynskey, Spin, February 2008
Everybody seems to love Hot Chip's catchy, endearing dance pop. But are these bookish Brits ready to love everybody back? ...
Hot Chip: Super Fry Guys: Hot Chip's Made In The Dark (EMI)
Review by John McCready, Word, The, February 2008
Hot Chip: Brains from Thunderbirds and his science-block mates create wonderful dance music — that you don't have to dance to. ...
Crystal Castles: Astoria 2, London ***
Live Review by Ian Gittins, Guardian, The, February 2008
TORONTO DUO Crystal Castles appear intent on being the most cryptic band imaginable. Eschewing interviews and declining to divulge their ages, producer/keyboardist Ethan Kath and ...
Report and Interview by Angus Batey, Guardian, The, March 2008
"I FIGHT BACK!" a grinning Alec Empire blurts, explaining why his iPod contains only three albums (by John Coltrane and Stockhausen) but has been filled ...
UNKLE: End Titles… Stories For Film (Surrender All)
Review by Dan Gennoe, dotmusic.co.uk, August 2008
EXACTLY A DECADE ago, Psyence Fiction, the debut album from Mo' Wax label boss James Lavelle and his then musical partner DJ Shadow, stood as ...
Underworld: Celebrating the Underbelly: Underworld
Retrospective and Interview by Daryl Easlea, Record Collector, September 2008
UNDERWORLD HAVE been at the forefront of electronic music for the past 15 years. The partnership at the group's core, Karl Hyde and Rick Smith, ...
Kanye West: 808s & Heartbreak (Roc-A-Fella) ****
Review by Angus Batey, MOJO, November 2008
NB This record wasn't made available to reviewers properly, due partly to Kanye still working on it at the time MOJO went to press. As ...
Live Review by Daryl Easlea, Record Collector, February 2009
THE STEEL CITY TOUR is a thrilling glimpse of the once- future through the lens of the past. What these groups attempted in Sheffield at ...
Review by Jude Rogers, New Statesman, March 2009
NEARLY 30 YEARS ON, the Gilbert and George of pop are still charmers. Like two Planet Pop missionaries sent to cheer us up in the ...
Retrospective and Interview by Phil Sutcliffe, MOJO, June 2009
JUST 29 YEARS into Depeche Mode's evolution from hoppity-boppity three-minute wonders of Futurism to global phenomenon of electronic rock and here's sempiternal hit songwriter Martin ...
Aphex Twin, Boards Of Canada, Grizzly Bear: 20 years of the Warp factor
Retrospective by Nick Hasted, Independent, The, August 2009
Sheffield's Warp Records celebrates its 20th anniversary in September. Nick Hasted looks back on the cutting-edge electronica/indie label that has produced acts as diverse as ...
La Roux: 'Of course Lady Gaga's not my thing'
Profile and Interview by Paul Lester, Guardian, The, September 2009
IT IS MORNING, and 21-year-old Elly Jackson – or La Roux, arguably the biggest new pop star of the year – is on the Eurostar ...
Kraftwerk: The Elusive Kings of Digital Pop
Report and Interview by Stephen Dalton, Times, The, September 2009
AFTER FOUR DECADES spent standing guard over one of the most secretive and enigmatic bands on the planet, it seems that Ralf Hütter is loosening ...
Depeche Mode, Gary Numan, Ultravox: One Nation Under a Moog: How Britain Went Synthpop
Retrospective by Simon Reynolds, Guardian, The, October 2009
As new BBC4 documentary Synth Britannia shows, the synthesizer first dehumanised then re-humanised British pop, fulfilled the DIY promise of punk, and changed how bands ...
Pet Shop Boys/Bad Lieutenant: NIA, Birmingham
Live Review by Stephen Dalton, Times, The, December 2009
FIRST SEEN in Britain six months ago, the Pandemonium world tour feels even more dazzling second time around. Even though every pre-programmed note and choreographed ...
Little Boots, Gary Numan: When Gary Numan met Little Boots
Report and Interview by Paul Lester, Guardian, The, December 2009
He arrived in 1979, bringing synthpop to the masses. She is part of the bold new wave reinventing the genre for the 21st century. So ...
Yello: Mad About Saffron: Thirty Years of Yello
Retrospective and Interview by Wyndham Wallace, Quietus, The, December 2009
Yello's Dieter Meier sits down with Wyndham Wallace to discuss the duo's new album Touch and three decades as an aristocratic prankster. ...
Grimes: Halfaxa (Arbutus Records)
Review by Mike Diver, bbc.co.uk, 2010
ON A CURSORY listen it seems Claire Boucher, aka Grimes, creates the kind of ethereal gloom-scapes that have served Zola Jesus well thus far. But ...
Review by Mike Diver, bbc.co.uk, February 2010
ANYONE WHO caught the Pet Shop Boys touring their superb Yes album – BBC Music's number one Pop & Chart album of 2009 – last ...
Retrospective and Interview by Kris Needs, MOJO, May 2010
"I'VE GOT so much to do. All the music in the world," wrote Arthur Russell to a San Francisco friend after arriving in New York ...
Review by Will Hermes, Rolling Stone, July 2010
"DON'T FUCKIN' tell me what to do," chants reformed teen-pop prodigy Robyn. No worry, girl, things are under control. ...
Review by Wyndham Wallace, bbc.co.uk, August 2010
Post-shoegazing classic reissued with bonus disc of demos. ...
Propaganda: Your Wish Is My Command: Propaganda's A Secret Wish
Retrospective by Wyndham Wallace, Quietus, The, August 2010
Celebrating 25 years since its release, Propaganda's A Secret Wish has just been reissued with a bonus disc of rarities. Wyndham Wallace confronts their Sturm ...
James Blake: Klavierwerke (R&S Records)
Review by Mike Diver, bbc.co.uk, September 2010
Rising UK producer's latest EP points the way towards an anticipated debut album. ...
Profile and Interview by Stephen Dalton, National, The, October 2010
ONE OF THE MOST exciting breakthrough artists of 2010, Flying Lotus has been hailed as the Jimi Hendrix of his generation. Besides his own genre-blurring ...
Live Review by Stephen Dalton, Times, The, October 2010
CURRENTLY THE hottest rising star of electronic music on both sides of the Atlantic, Steven "Flying Lotus" Ellison played his biggest London show so far ...
Heaven 17: Penthouse and Pavement Revisited
Retrospective by Stephen Dalton, Times, The, November 2010
"SHEFFIELD HAS ALWAYS had a bit of a maverick attitude," says Martyn Ware of evergreen electro-pop veterans Heaven 17. "It's the natural bolshiness of the ...
Orchestral Manoeuvres In The Dark: You Should Already Know: Orchestral Manoeuvres In The Dark
Report and Interview by Ken Scrudato, Filter, November 2010
DESPITE BEING BORN into the choking, mechanized wasteland that was early '80s urban England (Dear Old Blighty had, sadly, become Dear Old Blighted.), ...
Overview by Dorian Lynskey, Guardian, The, November 2010
Ostentatiously intellectual and scornful of rock'n'roll cliche, the likes of OMD and Heaven 17 briefly set 80s pop alight – and now they're back in favour. ...
Deadmau5: O2 Academy, Bournemouth
Live Review by Stephen Dalton, Times, The, December 2010
JOEL "DEADMAU5" ZIMMERMAN has turned facelessness into a brand, elevating his polished electro-trance anthems into a dazzling audio-visual spectacle that owes more to Kraftwerk or ...
LCD Soundsystem: Give It Up! Ten Reasons We Loved LCD Soundsystem
Comment by Tony Fletcher, iJamming.net, April 2011
On Saturday April 2, 2011, at Madison Square Garden, LCD Soundsystem gave it up for good. Here are Ten Reasons We Loved Them... ...
LCD Soundsystem: Madison Square Garden
Live Review by Iman Lababedi, Rock NYC, April 2011
JAMES MURPHY is Irish, so why not a wake? Following his decision to kill off the LCD Soundsystem franchise, lead singer Murphy announced a last hurrah ...
Björk: Is Björk the last great pop innovator?
Comment by Simon Reynolds, New York Times, The, July 2011
EARLIER THIS YEAR I interviewed Amanda Brown of cult band LA Vampires and was surprised when she announced that "every day I wake up and ...
Art of Noise: The Art Of Noise: Who's Afraid Of The Art Of Noise
Review by Wyndham Wallace, bbc.co.uk, September 2011
Innovative, sample-pioneering debut on CD at last. ...
Grimes, Laurel Halo, Maria Minerva, Stellar OM Source: Breaking Through the Synth Barrier
Report and Interview by Simon Reynolds, New York Times, The, October 2011
SUDDENLY IT SEEMS there are a lot more women twiddling those knobs than ever before. ...
Live Review by Ian Gittins, Guardian, The, January 2012
IT'S 2AM on Sunday morning in this club night, but Plaid are here to move minds, not feet. ...
Simple Minds: "Maybe we shouldn't have cashed in…"
Retrospective and Interview by Graeme Thomson, Guardian, The, February 2012
A COUPLE OF YEARS ago a young, anonymous musician approached Jim Kerr in a Glasgow rehearsal studio and began humorously haranguing him. "He was like, ...
Live Review by Jude Rogers, Observer, The, April 2012
HERE THEY come — the tiger-print leggings, the vest tops, the T-shirts soon to be removed. It is 8.40pm. This 80-year-old art deco venue in ...
The Human League: The Things That Dreams Are Made Of
Retrospective and Interview by Neil Mason, electronic, July 2012
Studios with leaking roofs, trips to new romantic clubs in a little Hillman Imp, and a heavy metal single recorded between sessions. They're all part ...
Report and Interview by Andy Gill, Independent, The, July 2012
From Brooklyn to Glasgow, a new wave of musicians are choosing laptops over guitars as their instruments of choice, says Andy Gill. ...
Skrillex: 100% Shock & Awe: Skrillex Blasts Tiny Venue
Live Review by John Calvert, Quietus, The, August 2012
THE SCENE IN the Shacklewell Arms is fairly typical of any gentrified boozer in the Hackney precinct, come Sunday night. ...
Ultravox: Hammersmith Apollo, London
Live Review by Ian Gittins, Guardian, The, September 2012
REFORMED BANDS almost always find it nigh-on impossible to recapture the musical glories they routinely summoned up in their pomp. Ultravox may be a unique ...
The xx: the xx: Civic Hall, Wolverhampton
Live Review by Stephen Dalton, Times, The, December 2012
MODESTY, UNDERSTATEMENT and tasteful restraint have no place in pop music, an art form tailor-made for dysfunctional drama queens. Yet somehow the xx have backed ...
New Order: Lost Years in Original Modernity? On Listening to New Order's Lost Sirens
Retrospective by Steve Redhead, Rock's Backpages, March 2013
THIRTY SEVEN Year Party People! Since Ian Curtis, Stephen Morris, Bernard Sumner and Peter Hook began playing regularly as Joy Division in 1978, that's effectively ...
Daft Punk: Random Access Memories
Review by Ian Gittins, Virgin Media Music, May 2013
DAFT PUNK'S FORTE has always been their sleek, glistening futurism, the sense of mischievous glee they take in the very textures of electronic sound. ...
Orchestral Manoeuvres In The Dark: From Kraftwerk to Craftsmen
Retrospective and Interview by Wyndham Wallace, Classic Pop, May 2013
They were just "two guys with a tape recorder and a name as long as the stage they were standing on", but Orchestral Manoeuvres In ...
Interview by Nick Hasted, Independent, The, September 2013
After 15 years of glam-pop, the duo's new album sees them channelling the spirit of film noir. They tell Nick Hasted where the sequins went. ...
Fuck Buttons: F*** Buttons: The Barbican, London
Live Review by Stephen Dalton, Times, The, April 2014
FEW BANDS can combine punishing volume, discordant drones and blood-curdling screams quite so joyously as F*** Buttons. Andrew Hung and Benjamin Power, the main attraction ...
Edgar Froese, Tangerine Dream: Edgar Froese 1944-2015
Retrospective by Jim Sullivan, Rock's Backpages, January 2015
THE GUYS in Tangerine Dream — leader Edgar Froese, plus more than 20 others over the years — always gave us the silent treatment in ...
James Blake: "I'm the opposite of punk – I've subdued a generation"
Profile and Interview by Dorian Lynskey, Guardian, The, May 2016
Kanye, Beyoncé, Drake and Frank Ocean have all been inspired by the unassuming Londoner's sound. Now he's coming of age with his new album, The ...
Thomas Dolby: Godfathers of Pop: Thomas Dolby
Retrospective and Interview by David Burke, Classic Pop, June 2016
BEFORE HE EMERGED as a pioneering figure of electronic music in the 1980s, Thomas Dolby wrote Lene Lovich's single, 'New Toy', appeared on the Thompson ...
James Blake: O2 Academy, Bristol
Live Review by Stephen Dalton, Times, The, November 2016
JAMES BLAKE has had a bumper year, guesting on Beyoncé's Lemonade album and releasing his own sublime third long-player, The Colour in Anything. ...
Live Review by Ian Gittins, Guardian, The, December 2016
Matt Healy lounge-lizards across the stage as his band charm the first of two sellout O2 crowds with sharp-edged, irresistible songs. ...
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