Vatican Shadow: Remember Your Black Day
Luke Turner, The Quietus, 11 October 2013
IT WAS INEVITABLE that an event as grand, terrible, momentous and world-changing as the September 11th 2001 terrorist attacks on New York and Washington would provoke and become connected with art both great and appalling. For every William Basinski's Disintegration Loops, Art Spiegelman's In The Shadow Of No Towers, Jonathan Safran Foer novel Extremely Loud and Incredibly Close or United 93, there's conspiracy loon flick Loose Change or Don Henley and The Eagles' 'Hole In The World'. Most of these, however, have been fairly straightforward in interpretation, either thoughtful reflections, attempts to explore the psychological consequences, or gung-ho, mawkish sentiment around American rescuers and resilience — the nadir of which is perhaps dc Talk's unintentionally hilarious 'Let's Roll'.
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