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Guns N' Roses: Appetite For Destruction (Geffen)
Review by Paul Mathur, Melody Maker, 25 July 1987
OF COURSE they're dreadful. What's more surprising is that so many members of the press, who on most other days of the week could be ...
Guns N' Roses: Use Your Illusion I (Geffen)
Review by Simon Reynolds, Melody Maker, 21 September 1991
THERE'S TWO schools of thought about Guns N'Roses. For some they're "the most dangerous band in the world"; for others, their brand of "danger" is ...
Guns N' Roses: The Spaghetti Incident? Geffen
Review by Eric Weisbard, Spin, February 1994
LISTENING TO The Spaghetti Incident? is like hearing Use Your Illusion I and II refracted through cover versions. The first song, Axl Rose's pipe-bending 'Since ...
Guns N' Roses: Chinese Democracy
Review by David Stubbs, Uncut, January 2009
Long-promised, finally delivered. Axl and co's first new album since 1991. ...
Review by Don Waller, Los Angeles Times, 9 August 1987
WHAM, GLAM, NO THANK YOU, MA'AM ...
Guns N' Roses: Use Your Illusion I (Geffen GEF 24415); Use Your Illusion II (Geffen GEF 24420)
Review by Andy Gill, The Independent, 19 September 1991
Appetite for pretension ...
Review by Dan Gennoe, dotmusic.co.uk, September 2004
ANYONE WHO bought Guns 'N' Roses' Use Your Illusion I and II knows that an artist releasing two albums at the same time is rarely ...
The Dogs D'Amour: Straight??!!
Review by David Quantick, Vox, October 1990
I REMEMBER THIS LOT when they were impeccably authentic New York Dolls copyists, with Arthur Kane barnets and Johnny Thunders riffs and excess onstage falling-over. ...
Review by Dan Gennoe, dotmusic.co.uk, 2 July 2007
IT'S 20 YEARS since Guns N' Roses released Appetite For Destruction and put the sex and drugs back into rock n' roll. But don't expect ...
The Dogs D'Amour: The Dogs D' Amour: More Unchartered Heights Of Disgrace
Review by Chas de Whalley, Vox, June 1993
IT'S HARD TO RESIST the immediate temptation to write The Dogs D'Amour off as relics of that late-'80s sleazeball revolution that threw up Guns N' ...
The Rolling Stones: Steel Wheels
Review by David Sinclair, Q, October 1989
NOT ONLY did The Rolling Stones come out of the traps considerably faster than the current wave of mouthy young turks but they have stayed ...
Girls Against Boys: Freak*on*ica (Geffen)
Review by Ben Myers, Melody Maker, 16 May 1998
UH-OH. IT'S that corporate record thing. After many years riding the subways of an ultra-cool underground, first as Soulside, then as Girls Against Boys and ...
Icarus Line, The: Icarus Line: Penance Soiree
Review by Todd L. Burns, Stylus, 9 July 2004
IF THE TRANSFORMING POWER of rock has been weakened by various sets of pretenders throughout the years, the first half of Icarus Line's Penance Soiree ...
Andrew Ridgeley: Son of Albert (Columbia)
Review by Chuck Eddy, Spin, September 1990
IN WHAM!, Andrew Ridgeley did whatever it is Chris Lowe does in the Pet Shop Boys. You can't call it "looking pretty for group pictures," ...
Manic Street Preachers: Gold Against The Soul (Columbia 4740622)
Review by Paul Elliott, Kerrang!, 19 June 1993
ROCK 'N' SOUL AIN'T NOISE POLLUTION... ...
Nirvana: Bleach (Sub Pop import US LP only)
Review by Edwin Pouncey, NME, 8 July 1989
REAL ROCK music should hurt. Like being too near an exploding plate glass window, it should get under your skin and cause you to writhe ...
Whitesnake: Slip of the Tongue (Geffen)
Review by Bud Scoppa, Spin, February 1990
A VENERABLE Brit rock band whose only constant was crusty-throated journeyman David Coverdale (his main claim to fame being a 1973-1976 stint as Deep Purple's ...
Queens Of The Stone Age: Primeval Scream: Queens Of The Stone Age: Rated R (Interscope) ***
Review by Paul Elliott, Q, September 2000
Like evolution never happened. ...
Review by Paul Elliott, Vox, June 1992
ONE DAY, maybe soon, The Black Crowes will be the biggest rock'n'roll band in Atlanta, Georgia — and following that, the world. Their debut LP ...
Review by Mark Kemp, Rolling Stone, 21 September 1995
IN THE TITLE TRACK of Lenny Kravitz's new album, the singer struggles with the dictates of reality that come to bear on fantasy. "Welcome to ...
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