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62 articles found. Page 1 of 4.
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Review by David Bennun, Melody Maker, 8 January 1994
KRS ONE IS, to all intents and purposes, Boogie Down Productions, although his late partner, DJ Scott LaRock, still oversees his work, "despite what others ...
Elephant's Memory: Elephant's Memory (Apple Sapcor 22)
Review by Phil Hardy, Let It Rock, March 1973
IT WOULD BE very easy to put down Elephant's Memory. Of course, first you'd say nice things about their playing in general, pick out a ...
John Lee Hooker: Chill Out (Point Blank VPB 22)
Review by Mark Cooper, Q, March 1995
John Lee Hooker: an Old Testament prophet for modern times. ...
Rhythm & Reaction: The Age of Jazz in Britain: Two Temple Place, London
Review by John L. Walters, Eye, 25 February 2018
Rhythm & Reaction gets under the skin of a British love affair with American jazz 27 January — 22 April 2018 ...
Sam Cooke: Keep Movin' On (ABKCO)
Review by Ted Drozdowski, The Boston Phoenix, 14 March 2002
THE TRAGIC DEATH of Sam Cooke remains one of rock and roll's great mysteries. Cooke was shot in the wee hours of December 10, 1964, ...
Norah Jones: Come Away With Me (EMI Capitol)
Review by Tim Clifford, Rock's Backpages, February 2002
NORAH JONES may not be up there with Wolf J Flywheel in the memorable moniker stakes, but mark it well. Produced by Arif Mardin, this ...
J. Geils Band: The Morning After (Atlantic)
Review by Nick Tosches, Phonograph Record, January 1972
GOOD HARD fast kool kat musick is the best kind. Anything without any metaphysical pretentions and with a lot of rebop raunch. ...
Housemartins, The: The Housemartins: London 0 Hull 4
Review by Terry Staunton, Record Collector, 24 May 2009
LIKE THE all-conquering Madness during the first half of the '80s, the Housemartins pulled off the admirable trick of shoehorning well-considered social comment into the ...
Review by Max Jones, Melody Maker, 15 January 1966
HOOKER RECORDS abound, but the latest from Chess, John Lee Hooker Plays And Sings The Blues (CRL4500) is a more than usually satisfying set. ...
Bruce Springsteen: Greetings from Asbury Park, NJ (CBS 65480, £2)
Review by Richard Williams, The Times, 14 April 1973
Springsteen is special ...
Flash Cadillac and the Continental Kids: Flash Cadillac: Sons of the Beaches
Review by Gene Sculatti, Creem, January 1976
What lame-o group is finally going to win the distinction of recording The Last Fifties Song of the Seventies? Just when I thought the sub-genre ...
Review by Andy Gill, The Independent, 8 February 2013
MY BLOODY VALENTINE'S reputation for tardiness is well earned. I dimly remember rushing off to interview them around the release of their second album, Loveless, ...
Last Shadow Puppets, The: The Last Shadow Puppets: The Age Of The Understatement
Review by Paul Moody, Uncut, May 2008
NOW IT ALL makes sense. Anyone who, on hearing Arctic Monkeys Favourite Worst Nightmare, wondered where Alex Turner had mislaid his melodies now has their ...
Chick Corea, Return to Forever: Chick Corea: Return To Forever (ECM)
Review by Ed Jones, Cracker, February 1974
WITH THE demise of the Mahavishnu Orchestra, other record companies are looking for their own spacey, super-excellent, speedy-riffing jazz-rock group to grab some of the ...
Review by Martin Aston, bbc.co.uk, 10 April 2012
This Alabama outfit might be the feel-good hit of the summer festival circuit. ...
Kraftwerk: Exceller-8, Radio-Activity
Review by Miles, NME, 31 January 1976
EXCELLER 8 IS a 'best of album taken from the three Vertigo albums that Kraftwerk have released in this country and it's a good selection ...
The Everly Brothers: Songs Our Daddy Taught Us
Review by Mick Farren, NME, 6 March 1976
IN A QUIET sort of way, 1975 saw an Everly Brothers revival of sorts. Warner Brothers released their magnificent Walk Right Back With The Everlys, ...
Elvis Costello: My Aim Is True (Columbia)
Review by Jeffrey Morgan, Stage Life, February 1978
LIKE IT OR NOT, youd better watch out 'cause talent will out, which is exactly why youre hearing so much about Elvis Costello these days. ...
Review by Chris Bohn, NME, 24 April 1982
AS A PERFORMER, Laurie Anderson is little short of phenomenal: a slight Chaplinesque figure, she's as much vaudeville as she is artist, in that she's ...
Lady Gaga: Born This Way (Polydor) ***
Review by Andy Gill, The Independent, 20 May 2011
FIRST THINGS FIRST: that cover is simply awful, its adolescent heavy-metal imagery — "ride me, wild one!" — effectively destroying in a single stroke Lady ...
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