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75 articles found. Page 3 of 4.
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Review by Jon Savage, Sounds, 30 September 1978
SO: THE next stage. The ending of one, the beginning of another? But of course, all the world's a stage. Aaaaaaah... ...
Review by Jeffrey Morgan, Creem, January 1979
"Uh, I’d been listening to a Neil Young album and, uh, they phoned through and said that my wife had had a baby on Sunday ...
Review by Tim Lott, Record Mirror, 5 May 1979
THE ARTFUL LODGER: TIM LOTT exclusively reviews the new David Bowie album, Lodger ...
Review by Sandy Robertson, Sounds, 26 May 1979
ANOTHER THESIS would be the straw that broke the camel's back. Now there's a line that could easily have been snipped from one of David ...
Review by Jon Savage, Melody Maker, 26 May 1979
ANOTHER YEAR, another record. Like Burroughs, David Jones, rootless, looks for unconventional commitment: Burroughs found it in junk, control-systems and predatory homosexuality; Jones found it ...
David Bowie: Scary Monsters (RCA)
Review by Charles Shaar Murray, NME, 20 September 1980
LEARNING to live with somebody's depression: the man in the clown suit stops running, finds self in back-against-wall situation, attempts to deal with same. Scary ...
David Bowie: Bowie For Breakfast: Angie Bowie’s Free Spirit
Review by Cynthia Rose, NME, 4 July 1981
David’s golden years get shredded as Angie spills half baked beans. ...
Review by Chris Bohn, NME, 18 January 1983
NEITHER RARE nor particularly well done, the latest Bowie collection of alternative cuts, outtakes, live run throughs, flipsides and flops is hardly likely to endear ...
Review by Charles Shaar Murray, NME, 16 April 1983
"Put on your red shoes and dance the blues to the song they're playing on the radio..." ...
David Bowie Let's Dance (EMI/America)
Review by Carol Cooper, Record, July 1983
A CONSUMMATE BLEND of everything Chic and David Bowie (in his Negro period) represent, 'Let's Dance' – the title song of the latter's new album ...
Review by Richard Cook, NME, 29 September 1984
IT MIGHT be foolish to conjecture on which are David Bowie's public and which are his private records. ...
Review by David Quantick, NME, 28 June 1986
MOST OF us are familiar with David Bowie from his role as Vendice Partners in the sparkling musical comedy Absolute Beginners, but how many I ...
David Bowie: Never Let Me Down
Review by Roy Trakin, Creem, August 1987
THE PICTURE OF Dorian Bowie, in which the master remains young but his music begins to limp. Or the boy who cried wolf, so that ...
Review by Mat Snow, Q, April 1990
BY ONE OF those neat symmetries, David Bowie introduced his prime persona at the very end of the '60s with Space Oddity, and laid it ...
David Bowie: Black Tie White Noise
Review by David Sinclair, Q, May 1993
THE 1980S WAS not a happy decade for David Bowie. ...
David Bowie: Black Tie, White Noise
Review by Dave Thompson, The Rocket, May 1993
IN THE DECADE since his last truly successful album, Let's Dance, David Bowie has undergone any number of changes, each of them as dramatic as ...
David Bowie: Earthling (RCA 7432144944 2)
Review by Andy Gill, The Independent, 21 January 1997
What comes through most strongly is the way Bowie retains an obsessional interest in the sheer variety and extremity of sound ...
David Bowie: Sound + Fisson: David Bowie: Earthling (RCA Records) ***½
Review by Mark Kemp, Rolling Stone, 20 February 1997
David Bowie breaks it down on his new album, Earthling ...
Review by Chris Roberts, Uncut, April 1998
Bowie: the good, the bad and the ugly ...
David Bowie: Best Of 1974/1979 (EMI)
Review by Ian Fortnam, Vox, June 1998
Where the first instalment of this condensed collection of Bowie's "best" work covered the formative innocence of the man's glam rock period, 1974/1979 finds the ...
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