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Gary Numan: The Pleasure Principle
Review by Danny Baker, NME, 8 September 1979
AND PEOPLE seethe at the Golden Boy. Let's forget the threadbare rock'n'roll bitch that it's all been done before by 'proper' artists — Bowie this, ...
La Roux: Together In Electric Dreams
Interview by Scott McLennan, Rip It Up (Australia), July 2009
ELLY JACKSON is lying under her duvet in the same bedroom she's occupied since birth, but recently something feels different. The David Bowie albums are ...
Live Review by Adam Sweeting, The Guardian, 17 March 2005
AMONG MOBY’s many hats are producer, remixer, club DJ, techno-nerd and ambient maestro. For this one-off gig to mark the arrival of his new album, ...
Gary Numan: City Hall, Newcastle
Live Review by Ian Ravendale, Sounds, 29 September 1979
Are pin-ups electric? ...
LCD Soundsystem: Manchester Warehouse Project
Live Review by Rob Hughes, Daily Telegraph, 17 September 2017
THERE ARE PLENTY of us who'd given up on ever seeing LCD Soundsystem again. In April 2011, the New York ensemble bowed out with a ...
Gary Numan: Hammersmith Odeon, London
Live Review by Richard Williams, The Times, 18 September 1980
IF YOU choose to sow in the field of fashion, you must expect to reap a brief harvest. There were empty seats at Gary Numan's ...
LCD Soundsystem: Sound of Silver
Review by Dorian Lynskey, The Guardian, 9 March 2007
LCD SOUNDSYSTEM'S James Murphy is chiefly regarded as a man with a gargantuan record collection. ...
Kraftwerk at the Manchester International Festival
Report and Interview by Simon Witter, Daily Telegraph, 19 June 2009
The unlikely rock star Ralf Hütter talks about cycling and the Kraftwerk concert at Manchester. ...
Recoil: Bloodline (Mute/All formats)
Review by Betty Page, New Musical Express, 18 April 1992
ALAN WILDER is the John Major of Electro. A nice chap — if every member of the public could spend ten minutes with him, he'd ...
Depeche Mode, Fad Gadget: Ace Cinema, Brixton
Live Review by Mat Snow, New Musical Express, 8 January 1983
SOME OF the many moods of Mute were on show tonight. Label mates Depeche Mode and Fad Gadget would appear to be polar opposites, but ...
Kraftwerk: Santa Monica Civic Auditorium, Santa Monica CA
Live Review by Richard Cromelin, Los Angeles Times, 1 August 1981
WHEN KRAFTWERK played the Santa Monica Civic in 1975, the German quartet's electronic music seemed like an academic aberration from the rock norm, and the ...
Lykke Li: Village Underground, EC2
Live Review by Stephen Dalton, The Times, 13 May 2014
IN LYKKE LI's poetically gloomy world view, love is a dark rainbow of despair with a big pot of bitter disappointment at the end. At ...
Björk: Is Björk the last great pop innovator?
Comment by Simon Reynolds, The Guardian, 4 July 2011
EARLIER THIS YEAR I interviewed Amanda Brown of cult band LA Vampires and was surprised when she announced that "every day I wake up and ...
Chemical Brothers, The: Apothecary Now: The Chemical Brothers : Exit Planet Dust (Junior Boys Own)
Review by Stephen Dalton, NME, 24 June 1995
THINK OF THE truly great, era-defining albums of the last 18 months. Definitely Maybe would be in there. Ill Communication and Dummy, too. ...
LCD Soundsystem: Sound of Silver
Review by David Stubbs, The Wire, March 2007
THE LYRIC to the title track of LCD Soundsystem's latest album is more of a mantra: "The sound of silver/Makes you want to be a ...
Guide by Andy Gill, New Musical Express, 5 January 1980
"Progress in the physical and mechanical sciences determines a progress in art." — Carlos Chavez, 1957 ...
Moog On The State Of The Synthesizer
Report and Interview by Don Snowden, Los Angeles Times, 7 June 1981
ITS NOT UNUSUAL for a musician to become controversial, but it is rare for a musical instrument to be debated. Robert Moog may have envisioned ...
Tubeway Army: Looking Through Gary Numan's Eyes
Interview by Paul Morley, New Musical Express, 9 June 1979
THE LIST went something like: 2.00pm – Jackie, 2.30pm – My Guy, 3.15pm – Patches, 4.00pm – Record Mirror, 4.45pm – Smash Hits, 5.30pm – ...
Giorgio Moroder: Dr. Love Machine
Retrospective and Interview by Dorian Lynskey, MOJO, May 2015
BETWEEN 1974 AND 1986 GIORGIO MORODER TRANSFORMED POP AND DISCO WITH A NEW KIND OF EUPHORIC MACHINE MUSIC. NOW, AFTER HIS 2013 SPOT ON DAFT ...
Interview by David Stubbs, Uncut, May 1998
Before the Chemical Brothers, before Ministry, before even Soft Cell, there was SUICIDE, the original electro-duo. DAVID STUBBS meets the synth-terrorists whose noise still provokes ...
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