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Review by Tony Stewart, NME, 8 January 1977
WELCOME BACK the musically credible and eminently excellent Average White Band with this defiant poke in the ear for all those people who seven months ...
Review by Biba Kopf, NME, 5 July 1986
THEY PICK dreams like they were pockets, these market research trained thieves, respray them in glitter and, even before the paint's properly dry, they're selling ...
Review by Nick Kent, NME, 25 February 1978
THERE'S NO-ONE lower than Nick, it's been said, and here's the booty to bear that out. ...
Review by Ian Penman, NME, 25 November 1978
Grrrrnrrhhhh!!! Repressed reviewer laments a bird and her bush ...
Review by Max Bell, NME, 14 July 1979
JUST WHEN the year's vitality was threatening to be expunged by a non-stop parade of rehashed fashions, 'ordinary geezers' with French Riviera yachts and the ...
Review by Nick Kent, NME, 28 January 1978
WELL, IT'S finally out and yup, disregarding the shoddy cover, it's a great album. ...
Review by Andy Gill, NME, 21 July 1979
IF I WERE to tell you that a record you've probably never heard of was the album that David Bowie's been trying to make these ...
Review by Charles Shaar Murray, NME, 21 January 1978
AND WELCOME back the Bosstown Sound! That's Boston USA, spelled B-O-S-S-T-O-W-N, home of the J. Geils Band, Aerosmith, The Modern Lovers (sort of) and now…Willie ...
Review by Bob Woffinden, NME, 25 February 1978
THOUGH ON the surface just another member of the incestuous West Coast singing/songwriting sisterhood, Karla Bonoff is different in one crucial respect — she isn't ...
Review by Paul Rambali, NME, 20 October 1979
The Rat Who Would Walk On Water ...
Review by Paul Morley, NME, 18 September 1982
ONETHIS RECORD is something of a glow. Whatever your preference you will find it memorable and instructive. Find its qualities and fix your place. Be ...
Review by Charles Shaar Murray, NME, 28 June 1975
ECONOMICS: When a famous big-time rock and roll band reaches that particular special point in its year when it's time to pack the clean socks ...
Review by Charles Shaar Murray, NME, 15 May 1976
THERE EXISTS A subtle difference between a tax exile and an expatriate. ...
Review by Charles Shaar Murray, NME, 18 November 1978
SMASH THE barriers and the truth shall make you free (as long as stocks last, anyway): barriers between humans and objects, between the natural (sic) ...
Review by Charles Shaar Murray, NME, 31 August 1974
Rock verite — the Beatrix Potter way ...
Review by Paul Rambali, NME, 16 February 1980
ON AN otherwise typical day late last October, Elvis Costello strolled through the door of Londons Rock On record shop in Camden Town, the oldies ...
Review by Charles Shaar Murray, NME, 24 January 1976
ARGUABLY, THERE IS no more exciting rock artist to listen to than one whose time has come; one whose art (not to mention attitude, appearance, ...
Review by Ian MacDonald, NME, 3 August 1974
THE MAIN OBSTACLE between a rock song-writer and Major Form (as ye olde musickologists have it) is Objectivity. ...
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