Lenny Kaye
A living legend, both as a writer and as a musician/producer, Kaye wrote widely in the ’60s for FUSION, ROLLING STONE, CRAWDADDY and other publications. He is co-author with David Dalton of Rock 100, and partnered the late Waylon Jennings on the latter's autobiography. Kaye compiled the seminal Nuggets anthology of garage punk and has long been the guitarist in Patti Smith’s band.
104 articles
List of articles in the library
Lothar and the Hand People: Lothar and the Hand People (Capitol)
Review by Lenny Kaye, Rolling Stone, 3 May 1969
THERE WAS a strange New York scene a few years ago, when much the same sort of thing was taking place across a continent in ...
Booker T & The MGs, Cream, Grateful Dead, Jefferson Airplane, Paul McCartney: Hey, Mr. Bassman
Overview by Lenny Kaye, Fusion, 19 September 1969
THE ELECTRIC revolution that helped to spawn rock and roll also helped to popularize a whole new set of instruments to take along on its ...
The Stooges: The Stooges (Elektra)
Review by Lenny Kaye, Fusion, 19 September 1969
I WAS ONCE thinking of doing a piece on Blue Cheer where I wanted to show, through all sorts of diagrams and convoluted logic, that ...
Bamboo, Bread: Bread: Bread (Elektra) Bamboo Bamboo (Elektra)
Review by Lenny Kaye, Fusion, 17 October 1969
RELEASED TOGETHER, utilizing similar cover formats and nearly identical one-word names beginning with the letter "B": Elektra must have intended these two albums to be ...
The Flock: The Flock (Columbia)
Review by Lenny Kaye, Fusion, 17 October 1969
THE FLOCK is a fairly decent horned and guitared conglomerate from Chicago whose blues-based and otherwise eclectic first album is nice in an unobtrusive sort ...
Dan Hicks and His Hot Licks: Dan Hicks and His Hot Licks (Epic)
Review by Lenny Kaye, Fusion, 14 November 1969
DAN HICKS is an ex-Chariatan, a founding father of the group which (among other things) helped to bring a stately Victorian air to early Haight-Ashbury. ...
Little Anthony & the Imperials: Little Anthony and the Imperials: Out of Sight, Out of Mind
Review by Lenny Kaye, Fusion, 14 November 1969
LITTLE ANTHONY AND the Imperials. Ah, just saying the name is a high, bringing back all those battered End records of 'Tears On My Pillow', ...
Sha Na Na: Sha-Na-Na: Sha-Na-Na (Buddah)
Review by Lenny Kaye, Fusion, 14 November 1969
SHA-NA-NA has a cute stage show. They come out, dressed fit to kill in an assortment of gold lamé, black pants, white socks, t-shirts, etc., ...
Grateful Dead: The Grateful Dead: The Year of The Dead
Report by Lenny Kaye, Fusion, 14 November 1969
THE GRATEFUL Dead are on the way up. But whether it be from a growing musical acumen on the part of their audience, a starring ...
Santana: Santana (Columbia CS 9781)
Review by Lenny Kaye, Fusion, 28 November 1969
THERE ARE guitar bands. There are vocal bands. There are organ bands, horn bands, sometimes stray combinations of all of the above. ...
Interview by Lenny Kaye, Jazz & Pop, 1970
Where to start? There are five albums, four years, and a whole lot of people that have been in Love. Why don't we just start ...
Carry That Weight: Music In The ‘60s
Overview by Lenny Kaye, Fusion, 20 January 1970
THE WAY IT WORKS is that someone picks up the torch and carries it for a while, and when they get tired, or irrelevant, or ...
Fat Mattress: The Evolution of Fat Mattress
Profile by Lenny Kaye, Circus, February 1970
THERE IS A Formula, you see, and it's one of those accepted facts that if you follow it, both fame and fortune — or is ...
Review by Lenny Kaye, Rolling Stone, 7 February 1970
Live Dead explains why the Dead are one of the best performing bands in America, why their music touches on ground that most other groups ...
Crosby Stills Nash & Young: CSNY: Flying Freely
Report and Interview by Lenny Kaye, Circus, March 1970
THORNTON WILDER once wrote a book called The Bridge at San Luis Rey, where he followed back the lives of the victims of a bridge ...
Quicksilver Messenger Service: Quicksilver Does A Quickchange
Retrospective and Interview by Lenny Kaye, Circus, March 1970
ON THE NEW Year's Eve separating 1968 and its successor, the Quicksilver Messenger Service played a farewell concert at Fillmore West. Looking back at the ...
Delaney & Bonnie Homecoming Knocks 'Em Dead
Report and Interview by Lenny Kaye, Rolling Stone, 7 March 1970
NEW YORK – They weren't welcomed at the airport by hordes of screaming, pushing teenagers. They didn't receive a standing ovation at the Fillmore East ...
The Voices of East Harlem: At Play With the Voices of E. Harlem
Profile and Interview by Lenny Kaye, Rolling Stone, 19 March 1970
NEW YORK — It was just an old red and white striped stuffed dog, but at least for now, it held the center of attention. ...
Review by Lenny Kaye, Rolling Stone, 19 March 1970
SOMETIMES ONE wonders if the (Young) Rascals wouldn't be better off just making hit singles. ...
The Velvet Underground: Loaded
Review by Lenny Kaye, Rolling Stone, 24 December 1970
LOU REED HAS always steadfastly maintained that the Velvet Underground were just another Long Island rock 'n' roll band. But in the past he really ...
Grand Funk Railroad: Live Album
Review by Lenny Kaye, Rolling Stone, 7 January 1971
"IT'S GOOD... ’cause, like, their music is getting better and better all the time, it’s like, you know, what people want to hear." ...
Review by Lenny Kaye, Rolling Stone, 1 April 1971
MAYBE IT’S JUST my imagination, but the Jimi Hendrix section of my local record bin seems to have been growing at an astonishing pace lately. ...
Baby Huey: The Baby Huey Story: The Living Legend
Review by Lenny Kaye, Rolling Stone, 15 April 1971
BABY HUEY never made it; not really. At his peak, when he was the stellar attraction of a rhythm and blues circuit that stretched from ...
Loudon Wainwright III: A Tale of Loudon Wainwright III
Interview by Lenny Kaye, Rolling Stone, 29 April 1971
NEW YORK – The word was out, carried by the wind and a few strategic newspaper clippings, and everybody, everybody was making it on down ...
The Rascals: Five Years Of The Rascals
Retrospective by Lenny Kaye, Rolling Stone, 10 June 1971
I KNOW THIS may be sound a little overboard, but there once was a time when the Young Rascals were the greatest rock & roll ...
The Rascals: The Young Rascals: Five years of the Rascals
Profile by Lenny Kaye, Rolling Stone, 10 June 1971
I KNOW THIS may sound a little overboard, but there once was a time when the Young Rascals were the greatest rock & roll band ...
The Guess Who: The Best of The Guess Who
Review by Lenny Kaye, Rolling Stone, 24 June 1971
THE GUESS WHO, despite their good intentions, have never seemed like natural candidates for superstardom. With a collective personality that could be described as lumpy ...
Graham Nash: Songs for Beginners
Review by Lenny Kaye, Rolling Stone, 22 July 1971
IF YOU ACCEPT Graham Nash on his own terms, which is simply as a nice guy who somehow wound up a musician, then you probably ...
Review by Lenny Kaye, Rolling Stone, 2 September 1971
IT SEEMS almost too perfectly ironic that now, at a time in their career when most people have written them off as either dead or ...
Review by Lenny Kaye, Rolling Stone, 14 October 1971
WELL, LET'S SEE...first there was Goldie and the Gingerbreads and the UFO's. Then Cake, who were merely New York's answer to the Ronettes, and the ...
Grand Funk Railroad: To Live Outside the Law You Must Be Honest
Report by Lenny Kaye, Creem, November 1971
Mark, Don, Mel, and Terry at Shea: Give Peace a Chance, Love Conquers All, Get Funked ...
Grateful Dead: The Grateful Dead: Grateful Dead (Warners)
Review by Lenny Kaye, Rolling Stone, 11 November 1971
To avoid any possible disappointments for those who once had visions of saving the world through the music on Anthem of the Sun and any ...
J. Geils Band: The J. Geils Band: The Morning After (Atlantic)
Review by Lenny Kaye, Rolling Stone, 11 November 1971
Call ‘em the best new band of 1971, if you will, ‘cause that’s what they are, and here’s the goods to prove it: The Morning ...
Review by Lenny Kaye, Rolling Stone, 9 December 1971
HAVE NO FEAR. Mitch Ryder is back. and for those whose last recollection of him centers around a grotesquely Las Vegas type of showboat soul ...
Review by Lenny Kaye, Rolling Stone, 23 December 1971
IT MIGHT SEEM a bit incongruous to say that Led Zeppelin — a band never particularly known for its tendency to understate matters — has ...
Labelle, Laura Nyro: Laura Nyro and Labelle: Gonna Take a Miracle (Columbia)
Review by Lenny Kaye, Rolling Stone, 20 January 1972
THIS ALBUM comes at the nicest time within Laura Nyro's career, for like most of the other performers that have cut a swath through pop ...
Joe Cocker: Madison Square Garden, New York NY
Live Review by Lenny Kaye, New Musical Express, 25 March 1972
Cocker On Stage – A Big Let-Down. A Disillusioned Lenny Kaye Reports New York Opening ...
Review by Lenny Kaye, Rolling Stone, 22 June 1972
THE QUESTION OF whether a white man can sing the deltoid blues has long been answered by John Hammond in the only way possible: that ...
The Rolling Stones: Exile On Main St. (Rolling Stones)
Review by Lenny Kaye, Rolling Stone, 6 July 1972
THERE ARE SONGS that are better, there are songs that are worse, there are songs that'll become your favourites and others you'll probably lift the ...
Review by Lenny Kaye, Rolling Stone, 17 August 1972
ERIC ANDERSEN is not one who has been graced with the best of luck. ...
Three Dog Night: Seven Separate Fools
Review by Lenny Kaye, Rolling Stone, 28 September 1972
ACCORDING TO AN ever-increasing pile of Levinson-Ross press releases at my right elbow, this has been quite a summer for Three Dog Night. Their heralded ...
Ed Sanders, The Fugs: Ed Sanders: Beer Cans on the Moon
Review by Lenny Kaye, Rolling Stone, 26 October 1972
It could be that I’ve been spending too much time lost within the darkened pages of The Family lately, but more than anything else, this ...
David Bowie: Freak Out In A Moonage Daydream
Report and Interview by Lenny Kaye, Cavalier, January 1973
AYLESBURY, ENGLAND. He is, as he had planned, magnificent. The stage appears impeccably struck, lights arranged to catch the finer angles of his face, making ...
Review by Lenny Kaye, Rolling Stone, 1 March 1973
ON THEIR HOME continent, Slade are virtually indestructible: singles launched like tank mortars into the Euro-Top Ten at selected intervals, live appearances turned to massive ...
The Ronettes Return to the Stage: Teenage Girls Forever
Profile and Interview by Lenny Kaye, Rolling Stone, 29 March 1973
FABIEN IS nervous. Not quite shaking in his boots, but enough so that his timing is off, lost in phrases that go nowhere despite the ...
Jimmy Cliff et al: The Harder They Come
Review by Lenny Kaye, Rolling Stone, 26 April 1973
THE REGGAE GROUNDSWELL that cups Jamaica's potential as a pop force has been heralded for many moons now, yet despite several breech-opening successes from a ...
Grateful Dead: The Grateful Dead on Long Island
Live Review by Lenny Kaye, Rolling Stone, 26 April 1973
IT HAD TO HAPPEN: even the Dead have gone glitter. Resplendently suave in Nudie-type sequined suits, the group appeared on the stage of this comfortably-sized ...
Beck, Bogert and Appice: The Felt Forum, NY
Live Review by Lenny Kaye, Rolling Stone, 10 May 1973
JEFF BECK HAS had his ups and downs over the past several years, not the least of which was a disastrous appearance last summer on ...
Iggy Pop, The Stooges: Iggy Pop: Raw Power
Review by Lenny Kaye, Rolling Stone, 10 May 1973
THE IG. Nobody does it better, nobody does it worse, nobody does it, period. Others tiptoe around the edges, make little running starts and half-hearted ...
Paul McCartney: Red Rose Speedway
Review by Lenny Kaye, Rolling Stone, 5 July 1973
WHEN PAUL MCCARTNEY's television special was aired several weeks ago, one of the ostensible aims was to provide a semi-biographical glimpse of the inner man, ...
Review by Lenny Kaye, Rolling Stone, 27 September 1973
THE GREENING OF MOTOWN continues apace, with performers who once flourished under the company's autocratic guidelines (the Four Tops, Gladys Knight) seeking success elsewhere while ...
Gilbert O'Sullivan: Avery Fisher Hall, NYC
Live Review by Lenny Kaye, Rolling Stone, 25 October 1973
"TO GILBERT," READ the note attached to a plastic baby elephant presented by a squealing child fan in the front rows: "I think you're cute." ...
Rick Derringer: All-American Boy
Review by Lenny Kaye, Rolling Stone, 6 December 1973
THE OLD LITANY of the man with the cigar ("C'mere kid I'm gone make you a star") has been recited so often that it might ...
Review by Lenny Kaye, Rolling Stone, 20 December 1973
Quadrophenia is the Who at their most symmetrical, their most cinematic, ultimately their most maddening. Captained by Pete Townshend, they have put together a beautifully ...
Review by Lenny Kaye, Rolling Stone, 3 January 1974
UNDER NORMAL CIRCUMSTANCES this would be a fairly disappointing album for the Band, coming as it does on the year-old heels of a live set ...
Review by Lenny Kaye, Rolling Stone, 17 January 1974
The Alice Cooper phenomenon, which began with the chart entry of "I'm Eighteen," rose to diabolical heights with Killer and School's Out and extravaganzaed in ...
Iggy Pop, The Stooges: Open Up and Bleed: Stooges in New York
Report by Lenny Kaye, Rock Scene, March 1974
IGGY IS hurt, he's down there on the floor, he's picking up these pieces of broken glass and tossing them down again, pissed at the ...
New York Dolls: Standing in the Shadow of Rock: Shadow Morton, Pt. 1
Interview by Lenny Kaye, Melody Maker, 2 March 1974
"I don’t consider myself a good producer. I’m one of the best." Shadow Morton, producer of the New York Dolls, talks to Lenny Kaye. ...
Interview by Lenny Kaye, Melody Maker, 9 March 1974
Part two of the Shadow Morton story by Lenny Kaye ...
The Chambers Brothers, Raspberries: Superstar Producer Jimmy Ienner
Interview by Lenny Kaye, Rock Scene, June 1974
IT'S ALL in the moves. Willie, Joe and Pops of the Chambers Brothers are grouped around a microphone in the duskily-lit interior of Venture Sound, ...
David Bowie: O'Keefe Auditorium, Toronto
Live Review by Lenny Kaye, Disc, 29 June 1974
THE POWER of the image took precedence as David Bowie opened the first leg of his North American tour with a string of Canadian dates. ...
T. Rex: Bolan Coming Up From The Bottom
Report and Interview by Lenny Kaye, Disc, 19 October 1974
AH, YES, the garden state of New Jersey. MARC BOLAN is being raised on a five-pointed star, framed in light bulbs, crucified to the wings ...
David Bowie: Radio City Music Hall, New York NY
Live Review by Lenny Kaye, Disc, 23 November 1974
THE DAVID Bowie Minstrel Show shuffled into Radio City Music Hall last week for a stay of five days, in what had to be the ...
Beck, Bogert and Appice: Beck Bogert and Appice: Live (Epic Japanese import)
Review by Lenny Kaye, Hit Parader, January 1975
JEFF BECK was recently seen, alive and well, at the Columbia Records convention in Los Angeles. It provided a good sign for Beck-watchers, the first ...
Profile by Lenny Kaye, Hit Parader, January 1975
GIVEN THE commercial restrictions of the business we call music, it is the rare record company that is willing to lay itself on the line ...
The Sensational Alex Harvey Band: Alex Harvey: There Ain't Nothin' Like a Gang-Bang
Interview by Lenny Kaye, Creem, March 1975
"...rock and roll takes a certain amount of ignorance." ...
Interview by Lenny Kaye, Rock Scene, July 1975
AFTER SIX concerts in four days, Freddie Mercury is immobile in the sack. Each time he's been awakened, he's successfully managed to roll over (Beethoven) ...
Interview by Lenny Kaye, New Musical Express, 24 January 1976
HIS HAIR IS short, coloured black and closely cropped, though not unnaturally so. He wears a red T-shirt and his body, which has fluctuated from ...
Book Excerpt by Lenny Kaye, David Dalton, Rock 100, 1977
FINDING AN UNDISCOVERED TONE ON THE soul scale in the early seventies was almost like inventing a new color, but Al Green scanned the high ...
Four on the Floor: The Motown Sound
Book Excerpt by Lenny Kaye, David Dalton, Rock 100, 1977
IT WAS EVER MORE THAN A RECORD LABEL. At its zenith, during a span that dominated most (if not all) of the sixties, the hit ...
Book Excerpt by David Dalton, Lenny Kaye, Rock 100, 1977
THIS IS NEWARK, THE NIGHT AFTER MARTIN Luther King's assassination. Jimi Hendrix is playing the Symphony Theatre to a crowd of white, modishly dressed hippies. ...
Book Excerpt by David Dalton, Lenny Kaye, Rock 100, 1977
ON MAY 5, 1973, A CAPACITY CROWD OF 56,800 paid $309,000 to watch Led Zeppelin perform for nearly three hours in a Tampa, Florida, football ...
Book Excerpt by Lenny Kaye, David Dalton, Rock 100, 1977
"I FIRST MET HIM IN 1962," SAYS STEVE Cropper who co-wrote two of Otis's hits, 'Fa, Fa, Fa, Fa, Fa' and 'Dock Of The Bay', ...
Elvis Presley: Rock 100: Elvis Presley
Retrospective by David Dalton, Lenny Kaye, Rock 100, 1977
"THAT'S FINE, MAN," CHORTLES SAM Phillips over the studio intercom at 760 Union Avenue, Memphis. "Hell, that's different. That's a pop song now." ...
Book Excerpt by David Dalton, Lenny Kaye, Rock 100, 1977
IN THE BEGINNING... WERE THE BEACH BOYS. Under the avalanche of the English Invasion, the Psychedelic Apocalypse, supersonic guitars and flash, it is almost forgotten ...
Grateful Dead: The Grateful Dead
Book Excerpt by Lenny Kaye, David Dalton, Rock 100, 1977
THE GRATEFUL DEAD ARE A LIVING HIPPIE monument, lysergic storm troopers who have carried "the Message" across continents and psychic thresholds, oblivious of all laws ...
Book Excerpt by David Dalton, Lenny Kaye, Rock 100, 1977
THEY HAVE PARTICIPATED IN AND provoked the transformation of the morals and manners of their generation so effectively that to future social historians the Rolling ...
Velvet Underground: The Velvet Underground
Book Excerpt by Lenny Kaye, David Dalton, Rock 100, 1977
OBVERSE, REVERSE, INVERSE, PERVERSE. A whiplash girl-child waits in the dark, splintered in blue fragments, pinpricks of white heat. The Velvet Underground cauterized their time, ...
Book Excerpt by David Dalton, Lenny Kaye, Rock 100, 1977
THE TEEN DREAM LIES AT THE CORE OF rock & roll and no group has explored, projected and interpreted the turbulent substances of teenage craniums ...
Book Excerpt by David Dalton, Lenny Kaye, Rock 100, 1977
ON THE WALL OF HIS NORTHERN CALIFORNIA home, a note announces to friends and visitors that "Van Morrison the person only sometimes has anything to ...
Bob Marley & the Wailers: Bob Marley: I and Unity
Interview by Lenny Kaye, Hit Parader, April 1980
THE APOLLO Theatre sits astride 125th St like a beacon, sparkling between the long rows of steel-shuttered shops like a diamond in a ring. But ...
The Yardbirds: Having a Rave-Up With The Yardbirds
Retrospective by Lenny Kaye, Guitar World, September 1981
CLAPTON, BECK and Page: a holy trinity whose rippling lead lines and powerful slashing chords have provided a world on instruction for countless aspiring players. ...
New York: Positively 4th Street
Retrospective by Lenny Kaye, The History of Rock, 1982
The music that came out of New York's melting pot ...
Grand Funk Railroad: We're an American Band
Retrospective by Lenny Kaye, The History of Rock, 1983
If there was any group that polarised rock opinion, it was the blunt, effective power trio, Grand Funk railroad. Bypassing the ruling elite of 'progressive' ...
Retrospective by Lenny Kaye, The History of Rock, 1983
Pedal steel power from country pickers ...
Big Audio Dynamite: He Who Laughs Last
Interview by Lenny Kaye, Spin, March 1986
Two years ago Mick Jones was dishonorably discharged from the Clash. Now that he's having a blast with Big Audio Dynamite, it doesn't seem to ...
Hüsker Dü: Candy Apple Grey (Warner Bros.)
Review by Lenny Kaye, Spin, July 1986
DÜ BE DÜ BE DÜ, as new next-door label-mate Hoboken Frank likes to say. The Hüskers have joined forces with the true hard corp(oration), a ...
Velvet Underground: The Velvet Underground: Peel Slowly And See
Review by Lenny Kaye, MOJO, October 1995
The brief, brilliant life of The Velvet Underground, from jug-band rags to hypercool chronicles – experiments, cast-offs, fights and all – on five CDs. Immortal, ...
Aretha Franklin: Rock 100: Aretha Franklin
Book Excerpt by David Dalton, Lenny Kaye, Cooper Square Books (reissue), 1999
IN 1972 WHEN ARETHA FRANKLIN RECORDED Amazing Grace, her first gospel album in 14 years, at the New Missionary Baptist Church in Chicago, it was ...
Bob Dylan: Rock 100: Bob Dylan
Book Excerpt by Lenny Kaye, David Dalton, Cooper Square Books (reissue), 1999
"I SEE THINGS OTHER PEOPLE DON'T," Dylan once said about himself. "I dissolve myself into situations where I am invisible." Dylan's progress has been a ...
Book Excerpt by Lenny Kaye, David Dalton, Cooper Square Books (reissue), 1999
CREAM WAS THE FIRST OF A NEW SPECIES – the high-voltage superblues group. By channeling their "amplified heat" through traditional blues, they created a clean, ...
Creedence Clearwater Revival: Rock 100: Creedence Clearwater Revival
Book Excerpt by Lenny Kaye, David Dalton, Cooper Square Books (reissue), 1999
PSYCHEDELIC MUSIC WAS PEAKING AND rock was undergoing a period of exhaustion in 1968 when Creedence Clearwater Revival arrived out of nowhere with their "lean, ...
David Bowie: Rock 100: David Bowie
Book Excerpt by Lenny Kaye, David Dalton, Cooper Square Books (reissue), 1999
HE IS, AS HE HAD PLANNED, MAGNIFICENT. The stage appears impeccably struck, lights arranged to catch the finer angles of his face, making him seem ...
Frank Zappa: Rock 100: Frank Zappa
Book Excerpt by Lenny Kaye, David Dalton, Cooper Square Books (reissue), 1999
"There is no undertaking more challenging, no responsibility more awesome than being a Mother."– RICHARD M. NIXON ...
Joni Mitchell: Rock 100: Joni Mitchell
Book Excerpt by David Dalton, Lenny Kaye, Cooper Square Books (reissue), 1999
I was born in Fort Macleod, Alberta, in the foothills of the Canadian Rockies – an area of extreme temperatures and mirages. When I was ...
Sly & the Family Stone: Rock 100: Sly and the Family Stone
Book Excerpt by David Dalton, Lenny Kaye, Cooper Square Books (reissue), 1999
JIMI HENDRIX WAS THE FIRST BLACK TO PLAY acid rock, but he remained a black musician playing to white audiences; he did not get played ...
Rock 100: Um, What Was It We Wanted To Say?
Book Excerpt by David Dalton, Lenny Kaye, Cooper Square (reissue), 1999
Introduction to the Second Edition David Dalton & Lenny Kaye, June 15, Very Late Twentieth Century ...
Book Excerpt by David Dalton, Lenny Kaye, Rock 100, Cooper Square Books (reissue), 1999
THE BAND was once described as the only group who could warm up the crowd for Abraham Lincoln. When they first appeared late in 1968, ...
Book Excerpt by David Dalton, Lenny Kaye, Cooper Square Books (reissue), 1999
IN THE BEGINNING... WERE THE BEACH BOYS. Under the avalanche of the English Invasion, the Psychedelic Apocalypse, supersonic guitars and flash, it is almost forgotten ...
The Beatles, The Doors, Jimi Hendrix, MC5, Pink Floyd: The Top 10 Psychedelic Moments in Rock
Comment by Lenny Kaye, Harp, May 2005
Mind expansion. The walls are breathing. Herewith, a personal list of a trip into the whirlpool of creation. ...
Sam Cooke: Soul and Inspiration
Retrospective by Lenny Kaye, Wondering Sound, 31 August 2010
Possessed of a purity of voice and an unerring sense of pop metaphysics, the incomparable Sam Cooke was a singer of soul and inspiration who ...
Frank Sinatra: The First Definitive Performances
Review by Lenny Kaye, Wondering Sound, 22 April 2011
MEET Young Frank, before the N. Stein that is his iconic cross to bear. Sometimes the Rat Pack genuflect and sharkskin persona that characterizes mid-century-and-beyond ...
Chet Baker: The Heartbreaking Beauty Of Chet Baker
Retrospective by Lenny Kaye, Wondering Sound, 13 November 2012
IT'S AUTUMN IN NEW YORK, and as I always do at this time of year, I pull Chet Baker from the shelf. ...
Review by Lenny Kaye, Wondering Sound, 30 October 2013
TO MY EARS AND HEART, there is nothing more rousing than a well-crafted single, whatever its source. And whenever Katy Perry's Queen-of-the-Jungle anthem 'Roar' swings ...
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